Continental Monthly , Vol. 6, No. 1, July, 1864: Devoted to Literature and National Policy.Various
History
Continental Monthly , Vol. 6, No. 1, July, 1864: Devoted to Literature and National Policy.
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
'A plague take the wench who has just left you!' he muttered. 'Did she
not tell you that I was below? I sent word by her, and here she has left
me for half an hour kicking my heels together in the courtyard. And I
might have stayed there forever, if I had not of myself found my way up.
Even then, there were some who would have stopped me, deeming me,
perhaps, too rough in appearance to be allowed to ascend. But I told
them that there was a time when members of the house of Porthenus did
not wait in antechambers, but stood beside the consuls of the old
republic, and I touched the hilt of my dagger; and whether it was the
one argument or the other which prevailed, here I am.'
With a grim smile the centurion then threw himself down upon a settee
near the door, arranged as properly as possible the folds of his coarse
tunic, drew his belt round so as to show more in front his dagger with
richly embossed sheath--the sole article of courtly and ceremonious
attire in which he indulged--and endeavored to assume an easy and
imposing attitude. For an instant he gazed around the room, observantly
taking in its wealth of mosaic pavement, paintings, statuary, and vases.
Then, as he began to fear lest he might be yielding too much of his
pride before the overbearing influence of so much luxury, he
straightened himself up, gathered upon his features a hard and somewhat
contemptuous expression, and roughly exclaimed:
'Yes, by the gods, the Portheni lived with consuls and proconsuls long
before the house of Vanno began to rise from the dregs and become a
house at all. And the imperator knows it, and is jealous of the fact,
too, or else he would the better acknowledge it. What, now, is that?' he
added, pointing to the central fresco of the ceiling.
'It is--I know not for certain, my father--but I think--'
'Nay, but I know what it is. It is the old story of the three Vanni
overcoming the five Cimbri at the bridge of Athesis. No great matter,
nor so very long ago, even if it were true. But why did he not paint up,
instead, how the founder of the Portheni, with his single arm, slew the
ten Carthaginians under the aqueduct of Megara? Is not now your family
history a portion of his own? His jealousy prevented him, I suppose;
though I doubt not that, when in his cups with his high associates, he
often boasts of his connection with the house of Porthenus. And yet he
would let the only relic of the family starve before assisting him.'
Ænone stood as in a maze of confusion and uncertainty. Were the trials
of the day never to end? First her unsatisfactory strife and pleading
with her husband; then the undignified contest with her own slave into
which she had been betrayed; and now came this old man--her father, to
be sure--but so much the more mortifying to her, as his vulgarity,
querulous complaining, and insulting strictures were forced upon her
ears.
'Are you not comfortable? What more can he or I do for you?' she said,
with some impatience.
Public-domain text, read in full here on John Shaqi.
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