Detective and mystery stories; Disappeared persons -- Fiction; Smuggling -- Fiction; Women journalists -- Fiction
As for subscribers, they were hereditary. Just as red hair ran in
certain families, subscribing to the paper ran in others. It is
doubtful if anybody took in the paper because he wanted it; but it
was tradition for some to have the _Free Press_, and therefore they
subscribed. It was useful for shelf covering. Red hair is the exception
rather than the rule; so were subscribing families.
Carmel pondered deeply over these facts. If, she said to herself, all
the merchants advertised as they should advertise, and if all the
inhabitants who should subscribe did subscribe, then the _Free Press_
could be made a satisfactorily profitable enterprise. How might these
desirable results be obtained? She was certain subscribers might be
gotten by making the paper so interesting that nobody could endure to
wait and borrow his neighbor’s copy; but how to induce merchants to
advertise she had not the remotest idea.
There was the bazaar, for instance, which did not advertise at all;
the bank did not advertise; the two photographers did not advertise;
the bakery did not advertise. She discussed the matter with Tubal
and Simmy, who were not of the least assistance, though very eager.
She did not discuss it with Prof. Evan Bartholomew Pell because that
member of the staff was engaged in writing a snappy, heart-gripping
article on the subject of “Myths and Fables Common to Peoples of Aryan
Derivation.” It was his idea of up-to-date journalism, and because
Carmel could think of nothing else to set him to work at, she permitted
him to continue.
“Advertising pays,” she said to Tubal. “How can I prove it to these
people?”
“Gawd knows, Lady. Jest go tell ’em. Mebby they’ll believe you.”
“They won’t b’lieve nothin’ that _costs_,” said Simmy, with finality.
“I’m going out to solicit advertising,” she said, “and I’m not coming
back until I get something.”
“Um!... G’-by, Lady. Hope we see you ag’in.”
In front of the office Carmel hesitated, then turned to the left. The
first place of business in that direction was identified by a small
black-and-gold sign protruding over the sidewalk, making it known that
here one might obtain the handiwork of Lancelot Bangs, Photographer.
In glass cases about the doors were numerous specimens of Lancelot’s
art, mostly of cabinet size, mounted on gilt-edged cards. Mr. Bangs,
it would appear, had few ideas as to the posturing of his patrons.
Gentlemen, photographed alone, were invariably seated in a huge chair,
the left hand gripping the arm, inexorably, the right elbow leaning
upon the other arm, and the head turned slightly to one side as if the
sitter were thinking deep thoughts of a solemn nature. Ladies stood,
one foot advanced, hands clasped upon the stomach in order that the
wedding ring might show plainly; with chins dipped a trifle downward
and eyes lifted coyly, which, in dowagers of sixty, with embonpoints
and steel-rimmed spectacles, gave a highly desirable effect.
Public-domain text, read in full here on John Shaqi.
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