Contraband; Or, A Losing HazardWhyte-Melville, G. J. (George John)
General
Contraband; Or, A Losing Hazard
Whyte-Melville, G. J. (George John)
England -- Social life and customs -- 19th century -- Fiction
It was a fine night even in London. The moon sailed broad and bright in
a clear, fathomless sky. The very gas-lamps, studding street and square,
through the flickering leaves of spring flashed out a diabolical
enchantment of their own, half revelry, half romance. The scent of
geraniums and mignionette stole with a soft, intoxicating fragrance on
the rebellious senses; and a German band, round the corner, was playing
a seductive measure of love and languor and lawlessness from the last
new opera. Mrs. Lascelles, moving out on the balcony, drank in the soft
night-air with a deep-drawn breath that was almost a sigh. Young
Goldthred followed as the medium follows the mesmerist, the bird the
rattlesnake. His heart beat fast, and the coffee-cup clattered in his
hand. Time and scene were adapted, no doubt, for sentiment, especially
out of doors.
It is done every day, and all day long. Also, perhaps, more effectually
still on nights like these. Pull a man's purse, madam, from his
waistcoat-pocket, and although you have Iago's authority for considering
it "trash," you may find yourself picking oakum as a first consequence,
and may finish, in due course, at the penitentiary; but dive those
pretty fingers a thought deeper, take his heart scientifically out of
his pericardium, or wherever he keeps it, squeeze it, drain it, rinse it
quite dry, return him the shrivelled fragments, with a curtsy, and a
"thank you kindly, sir," you will receive applause from the bystanders,
and hearty approbation from the world in general for your skill.
So Mrs. Lascelles, stifling all compunction, played out the pretty game.
They leaned over the balcony, side by side; they smelt the mignionette,
with their heads very close together; they looked at the moon, and into
each other's eyes, and down on the street, where a faded figure, in torn
shawl and tawdry bonnet, flitted past, to be lost in the shadow of
darkness farther on; sighing, smiling, whispering, till the boy's blood
surged madly to his brain; and the woman, despite of craft, science, and
experience, felt that she must practise all her self-command not to be
softer and kinder, if only for a moment, than she desired.
Her white, cool hand lay on the edge of the mignionette box. He covered
it with his own. In another moment he would have seized and pressed it,
hungrily, rapturously, to his lips. She rose just in time, and came full
into the lamp-light from within.
"What nonsense we have been talking!" she exclaimed, with a laugh; "and
what a deal of sentiment! It is nice to talk nonsense sometimes, and
sentiment too, but a little goes a long way."
He was hurt, and, not being a woman, showed it.
"I am sorry," said he, gloomily; "I thought you liked it."
She did not want to snub him too much.
"So I do," she answered, stepping back into the drawing-room, "when it's
the real thing, sweet and strong, little and good. Come and listen to
Jin's song; it's better for you than flirting in the dark on the
balcony."
Public-domain text, read in full here on John Shaqi.
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