“THE sense of beauty and gentleness, of moral beauty and faithful
gentleness, grew upon him as the clear evening closed in. When he went
to visit his relative at Putney, he still carried with him his work, and
the books he more immediately wanted. Although his bodily powers had
been giving way, his most conspicuous qualities, his memory for books,
and his affection remained; and when his hair was white, when his ample
chest had grown slender, when the very proportion of his height had
visibly lessened, his step was still ready, and his dark eyes brightened
at every happy expression, and at every thought of kindness. His death
was simply exhaustion; he broke off his work to lie down and repose. So
gentle was the final approach, that he scarcely recognised it till the
very last, and then it came without terrors. His physical suffering had
not been severe; at the latest hour he said that his only uneasiness was
failing breath. And that failing breath was used to express his sense of
the inexhaustible kindness he had received from the family who had been
so unexpectedly made his nurses,—to draw from one of his sons, by minute,
eager, and searching questions, all that he could learn about the latest
vicissitudes and growing hopes of Italy,—to ask the friends and children
around him for news of those whom he loved,—and to send love and messages
to the absent who loved him.”
* * * * *
Thus, with a manly simplicity and filial affection, writes the eldest son
of Leigh Hunt in recording his father’s death. These are the closing
words of a new edition of _The Autobiography of Leigh Hunt_, published by
Messrs. Smith and Elder, of Cornhill, revised by that son, and enriched
with an introductory chapter of remarkable beauty and tenderness. The
son’s first presentation of his father to the reader, “rather tall,
straight as an arrow, looking slenderer than he really was; his hair
black and shining, and slightly inclined to wave; his head high, his
forehead straight and white, his eyes black and sparkling, his general
complexion dark; in his whole carriage and manner an extraordinary degree
of life,” completes the picture. It is the picture of the flourishing
and fading away of man that is born of a woman and hath but a short time
to live.
Public-domain text, read in full here on John Shaqi.
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