Conversations on the Plurality of Worlds — John Shaqi
Conversations on the Plurality of WorldsFontenelle, M. de (Bernard Le Bovier)
Philosophy
Conversations on the Plurality of Worlds
Fontenelle, M. de (Bernard Le Bovier)
Plurality of worlds
Before I recount our various conversations, perhaps you may expect some
description of their scene; some picture of the romantic country, under
whose shades the Marchioness is enjoying the autumn. If so, you will be
disappointed: so many people have exercised their talents on this gay
species of writing, that I shall dispense with the ceremony, and merely
say, that on my arrival I had the pleasure of finding myself the only
visitor.
The two first days were passed in relating the news of Paris, which
I had just quitted. When that subject was exhausted, an evening walk
in the park, suggested the discussion of those learned topics, the
commencement of which you will find in the next page.
_FIRST EVENING._[5]
[Footnote 5: This first book has been translated into a variety of
languages; it is the best eclogue that has been composed in the last
fifty years: the descriptions and imagery it contains are perfectly
suited to the style of pastoral poetry; indeed many of the images would
not have disgraced the pen of a Virgil.
_Dubos. Reflections on Poetry and Painting._
]
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THE EARTH IS A PLANET WHICH TURNS ON ITS AXIS, AND GOES ROUND THE SUN.
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After supper we went to take a walk in the park. We felt the fragrant
breeze of evening peculiarly delightful, as the heat had been intense
during the day: the silvery rays of the moon, gleaming through the
foliage, formed an agreeable contrast with the darkened shadows of
the landscape. Not a cloud intercepted or veiled the smallest star.
Every orb appeared a mass of pure gold, rendered more brilliant by
the rich blue of the sky. The beauty of the scenery produced a gentle
reverie, from which, had not the Marchioness been with me, I should
not have been easily roused; but in the company of so interesting a
woman I could not long abandon myself to the influence of the moon
and stars. Do you not think, said I, addressing myself to her, that
the charms of a fine night greatly exceed those of the day? Yes, she
replied, the splendour of day resembles a fair and dazzling beauty,
but the milder radiance of night may be compared to a woman of less
brilliancy of complexion, and more sweetness of expression. You are
very generous, resumed I, in giving the preference to the brunette,
whilst you are so fair. It is however true, that an unclouded sun
is the most glorious object in nature; and it is equally true, that
the heroines of romance, the most beautiful objects imagination can
depict, have almost invariably been represented with fair complexions.
Beauty, answered my companion, is nothing, unless it interests our
feelings. You will not deny that the finest day never had the power of
inspiring so delightful a reverie as you were falling into just now in
contemplating the loveliness of the evening. You are right, said I, but
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