Copyright: Its History and Its LawBowker, R. R. (Richard Rogers)
History
Copyright: Its History and Its Law
Bowker, R. R. (Richard Rogers)
Copyright -- History; Copyright -- United States -- History
This proviso is singularly defective in phraseology, as the phrase
"octavo choruses" has no musical significance and uses a music-trade
term to designate choruses usually but not necessarily published in
octavo form; and the duplication of the words "public school," etc., is
probably a verbal error in the bill which mistakenly became part of the
law. The proviso is doubtless intended and would fairly be construed to
permit gratuitous unauthorized performance of religious or secular works
such as oratorios, cantatas, masses, and choruses by public schools,
church choirs, school choirs or vocal societies, from copies rented,
borrowed, or obtained from some public library, provided the performance
is given for charitable or educational purposes and not for profit.
Curiously the letter of the proviso would seem to provide that the
beneficiary organization cannot perform from a purchased copy, but only
from copies rented, borrowed or "obtained from" some public source; but
this also is an evident error.
{Sidenote: Performance "for profit"}
It should be noted that the omission from subsection (d) as to drama and
the inclusion in subsection (e) as to music, of the words "for
profit,"--doubtless with the intent of assuring to the individual
purchaser of music the right to perform it privately,--have significance
here, and serve, it would seem, to give the dramatic author absolute
control even over gratuitous performances and to limit the control of
the musical author to performances which are not gratuitous, a negative
provision covering, and giving much wider latitude than, the proviso
(sec. 28) above cited. But as dramatico-musical compositions are
classified (sec. 5, d) with dramatic compositions, and an oratorio and
possibly a cantata might be considered as a dramatico-musical
composition, the proviso (sec. 28) may have a specific effect as to this
kind of dramatico-musical compositions. The law is unfortunately
defective and confusing by reason of this proviso and will be so
difficult of judicial construction as to suggest the omission, by
amendment, of this proviso. The use of the word "public" in both cases
implies that the author cannot control private representation and opens
other questions difficult of judicial interpretation.
{Sidenote: Works not reproduced}
It is provided (sec. 11): "That copyright may also be had of the works
of an author of which copies are not reproduced for sale, by the
deposit, with claim of copyright, of one complete copy of such work if
it be ... a dramatic or musical composition"; provided that the required
deposit of two copies shall be made, as in the case of books, on
publication thereafter by the multiplication and public sale or
distribution of copies.
{Sidenote: Copyright notice}
Public-domain text, read in full here on John Shaqi.
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