Copyright: Its History and Its LawBowker, R. R. (Richard Rogers)
History
Copyright: Its History and Its Law
Bowker, R. R. (Richard Rogers)
Copyright -- History; Copyright -- United States -- History
"(d) To perform or represent the copyrighted work publicly if it be a
drama or, if it be a dramatic work and not reproduced in copies for
sale, to vend any manuscript or any record whatsoever thereof; to make
or to procure the making of any transcription or record thereof by or
from which, in whole or in part, it may in any manner or by any method
be exhibited, performed, represented, produced, or reproduced; and to
exhibit, perform, represent, produce, or reproduce it in any manner or
by any method whatsoever;
{Sidenote: Musical rights}
"(e) To perform the copyrighted work publicly for profit if it be a
musical composition and for the purpose of public performance for
profit; and for the purposes set forth in subsection (a) hereof, to make
any arrangement or setting of it or of the melody of it in any system of
notation or any form of record in which the thought of an author may be
recorded and from which it may be read or reproduced";--to which
provision of subsection (e), in respect to copyright control of
mechanical records, are added provisos that such control shall not
extend to compositions published and copyrighted before July 1, 1909,
and works of foreigners whose state does not grant similar right to
American citizens, and shall be subject to compulsory license
arrangements, requiring that if the author permits any mechanical
reproduction, he shall license any manufacturer under conditions stated
in detail in the act, all of which exceptions and conditions are fully
stated in the chapter on mechanical music provisions.
{Sidenote: Excepted performance}
An exception to these exclusive rights is, however, made in the proviso
(sec. 28) "_Provided, however_: That nothing in this Act shall be so
construed as to prevent the performance of religious or secular works,
such as oratorios, cantatas, masses, or octavo choruses by public
schools, church choirs, or vocal societies, rented, borrowed, or
obtained from some public library, public school, church choir, school
choir, or vocal society, provided the performance is given for
charitable or educational purposes and not for profit."
Public-domain text, read in full here on John Shaqi.
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