Dressmakers -- Fiction; Love stories; Young women -- Fiction
The roads she now so wildly trod were familiar ground to Sally. They
were all gravelled roads, upon which in the evenings boys and girls
cycled and flirted, and in which on Saturdays and after school hours
children bowled their hoops and played together. As the darkness grew,
the roads were more deserted, for the children were in bed, and the boys
and girls were not allowed out. Then appeared young men and girls of
slightly greater age and of a different class, the girls walking two by
two, the young men likewise. The young men cleared their throats, the
girls peeped and a little raised their voices, a relation was
established, and still the pairs continued to promenade, safe in
couples, and relishing the thought that they were enjoying stolen
acquaintance. Sally knew the whole thing through and through. She had
walked so with May. She had tried to talk to the boys and found them
soppy, and herself soppy, and everything soppy. She had wanted more and
more excitement, and all this strolling and holding hands in the dark,
and snatching them away, and running, and being caught, was tame to her
eager longing for greater adventure. And now she walked rapidly about
the roads, her eyes full of despair, her heart heavy, her brain active
and contemptuous. She knew her own cleverness. She knew it too well. And
it was smarting now at being proved such an ignominiously valueless
possession. She might be clever, she might have brains enough to despise
May Pearcey; but she had not the power to make a living. She must still
pinch and starve beside her mother. Trapped! Trapped!
It was a matter of weeks, this mood of indignant despair, of baffled
powerlessness in face of reality. And each night, after such a lonely
walk, in such a vehement mood, Sally would return to the miserable room
in which for the present she was to spend her life. It was at the back
of the house, on the second floor, and there was another floor above.
The room had a stained ceiling and a wallpaper that had discoloured in
streaks. The original pattern had been of small flowers on a
pseudo-primrose background. Now all was merged in a general stagnation
of Cambridge blue and coffee colour. Mrs. Minto had carefully put the
washstand beneath a patch that had been washed nearly white by splashes;
and Sally had insisted that it should stand in another part of the room.
"But that's where a washstand's stood before," wailed Mrs. Minto.
"That's _why_," explained Sally, brutally. "Put the chest-of-drawers
there. _I_ don't want to splash exactly where other people have
splashed. Not likely! The place ought to have been papered new."
Public-domain text, read in full here on John Shaqi.
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