Cordova: A city of the MoorsCalvert, Albert Frederick
History
Cordova: A city of the Moors
Calvert, Albert Frederick
Arabs -- Spain; Córdoba (Spain) -- Description and travel; Córdoba (Spain) -- History
The Court of Ablutions was laid out by the first Khalif, and occupied
the ground of the present Court of Oranges. In constructing the Mosque,
the founders adapted the basilica form of building to the new worship.
During the Omeyyad dynasty the original building was constantly enlarged
and improved, and fresh decorations were added up to the time of
Almanzor. Each Khalif vied with his predecessor in beautifying the
temple. The pristine building was finished ten years after the planning
under Abd-er-Rahman I., that is, during the reign of Hisham I., who
conducted the labour with the utmost expedition. Marbles of spotless
white were chosen for the innumerable columns. Arrazi, an Arab writer,
speaks of the valuable wine-coloured marble, obtained from the mountains
of the district, which was much used in embellishing the naves of the
Mosques of Cordova and Ez-Zahra.
The solemnity and beauty of the ceremonies in the House of Purification
can only be imagined. Every day saw the celebration of the _tazamein_,
or purification of the devout, before entering the holy structure, and
six times daily the _alicama_, or call to prayer, was shouted by the
muezzin from the summit of the minaret. No shoes were permitted to
defile the sanctuary; the worshippers entered barefooted. From its
sacred shadow all Jews were excluded, and restrictions guarded the
approach of women, except the privileged royal brides.
The interior glittered with gold, silver, precious stones, mosaics, and
hundreds of lamps of brass. By the side of the priest stood a mighty wax
candle, and the scent of the burning aloes, ambergris, and perfumed oils
in the lanterns drifted through the tangled arches of the long naves.
Some of the brass lamps were made out of bells taken from Christian
churches. The pulpit was seven years in the making. It was of ivory,
ebony, sandal, aloe, and citron wood, with nails of gold and silver.
Eight artists lavished their skill upon the designing and adorning of
this pulpit. In the wondrous mih-rab the walls were of pure gold. A copy
of the Koran in a gold case, set with pearls and rubies, was kept in the
pulpit. It was taken away by Abu-Mohammed on one of his campaigns, and
was finally lost to the faithful.
Public-domain text, read in full here on John Shaqi.
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