Corea or Cho-sen: The Land of the Morning CalmLandor, Arnold Henry Savage
History
Corea or Cho-sen: The Land of the Morning Calm
Landor, Arnold Henry Savage
Korea -- Description and travel
It sounds funny and incongruous, but it really is so. While studying the
women of Corea, a former idea got deeply rooted in my head, that there is
nothing which will make a woman happier than the opportunity of showing
with what resignation she is able to bear the weight and drudgery of her
duty. If to that she can add complaint of ill-treatment, then her
happiness is unbounded. The woman of Cho-sen gets, to my mind, less
enjoyment out of life than probably any other woman in Asia. This life
includes misery, silence, and even separation from her children--the male
ones--after a certain age. What things could make a woman more unhappy?
Still, she seems to bear up well under it all, and even to enjoy all this
sadness, I suppose one always enjoys what one is accustomed to do,
otherwise I do not see how the phenomenon is to be explained.
[Illustration: A SINGER]
A few words must be added about that special class of women, the singers,
who, as in Japan, are quite a distinct guild from the other women. A
similar description to that of the _geishas_ of Japan might apply to
these gay and talented young ladies, who are much sought after by high
officials and magistrates to enliven their dinner-parties with chanting
and music. They are generally drawn from the very poorest classes, and
good looks and a certain amount of wit and musical talent is what must be
acquired to be a successful singer. They improvise or sing old national
songs, which never fail to please the self-satisfied and well-fed
official, and if well paid, they will even condescend to pour wine into
their employer's cups and pass sweets to the guests. If beautiful and
accomplished, the "Corean artistes" make a very good living out of their
profession, large sums of money being paid for their services. But if at
all favoured by Nature, they generally end by becoming the unofficial
wives of some rich minister or official. These women chalk their faces
and paint their lips; they wear dresses made of the most expensive silks,
and, like people generally who have sprung from nothing and find
themselves lodged among higher folks than themselves, they give
themselves airs, and cultivate a sickening conceit. Among the Coreans,
however, they command and receive much admiration, and many an intrigue
and scandal has been carried out, sometimes at the cost of many heads,
through the mercenary turn of mind of these feminine musicians.
Public-domain text, read in full here on John Shaqi.
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