Korea -- History; Korea -- Social life and customs
The usual material is bamboo, split to the fineness of a thread, and
woven so as to resemble horse-hair. The fabric is then varnished or
lacquered, and becomes perfectly weather-proof, resisting sun and rain,
but not wind. The prevalence of cotton clothing, easily soaked and
rendered uncomfortable, requires the ample protection for the back and
shoulders, which these umbrella-like hats furnish. In heavy rain, the
kat-no is worn, that is, a cone of oiled paper, fixed on the hat in the
shape of a funnel. Indeed, the umbrella in Corea is rather for a symbol
of state and dignity than for vulgar use, and is often adorned with
knobs and strips. Quelpart Island is the home of the hatters, whose
fashionable wares supply the dandies and dignitaries of the capital and
of the peninsula. The highest officers of the government have the cone
truncated or rounded at the vertex, and surmounted by a little figure
of a crane in polished silver, very handsome and durable. This
long-legged bird is a symbol of civil office. “To confer the hat,”
means as much to an officer high in favor at the court of Seoul as to a
cardinal in the Vatican, only the color is black, not red. It is Corean
etiquette to keep the hat on, and in this respect, as well as in their
broad brims, the hermits resemble the Quakers. Marriage and mourning
are denoted also by the hat.
A variety of materials is employed by other classes. Soldiers wear
large black or brown felt hats, resembling Mexican sombreros, which are
adorned with red horse-hair or a peacock’s feather, swung on a swivel
button.
Suspended from the sides, over the ears and around the neck, are
strings of round balls of blue porcelain, cornelian, amber, or what
resembles kauri gum. Sometimes these ornaments are tubular, reminding
one of the millinery of a cardinal’s hat.
For the common people, plaited straw or rushes of varied shapes serve
for summer, while in winter shaggy caps of lynx, wolf, bear, or
deer-skin are common, made into Havelock, Astrachan, Japanese, and
other shapes, some resembling wash-bowls, some being fluted or
fan-like, winged, sock-shaped, or made like a nightcap. Variety seems
to be the fashion.
The head-dress of the court nobles differs from that of the vulgar as
much as the Pope’s tiara differs from a cardinal’s rubrum. It is a
crown or helmet, which, eschewing brim, rises in altitude to the
proportions of a mitre. Without earstrings or necklaces of beads, it is
yet highly ornamental. One of these consists of a cap, with a sort of
gable at the top. Another has six lofty curving folds or volutes set in
it. On another are designs from the pa-kwa, or sixty-four mystic
diagrams, which are supposed to be sacred symbols of the Confucian
philosophy, and of which fortune-tellers make great use.
Public-domain text, read in full here on John Shaqi.
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