Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
the women, though very agreeable, have acquired a sentimentality of
language, which, without restraining their morals, merely lends their
gallantry an air of affectation. There is more vanity, as there is
more society, here, than in the rest of Italy. Where applause is quick
and frequent, conceit calculates all debts instantaneously; knows what
success is owed, and claims its due, without giving a minute's credit.
Its bills must be paid at sight. Still, much originality may be found
in Venice. Ladies of the highest rank receive visits in the _cafés_,
and this strange confusion prevents their _salons_ becoming the arenas
of serious self-love. There yet remain here some ancient usages that
evince a respect for their forefathers, and a certain youth of heart
which tires not of the past, nor shrinks from melting recollections.
The sight of the city itself is always sufficient to awaken a host
of memories. The Piazza is crowded by blue tents, beneath which rest
Turks, Greeks and Armenians, who sometimes also loll carelessly in open
boats, with stands of flowers at their feet. St. Mark's, too, looks
rather like a mosque than a Christian temple; and its vicinity gives a
true idea of the oriental indolence with which life is spent here, in
drinking sherbet, and smoking perfumed pipes.
Men and women of quality never leave their houses, except in black
mantles; while the gondolas are often winged along by rowers clad in
white, with rose-colored sashes, as if holiday array were abandoned to
the vulgar, while the nobility kept up a vow of perpetual mourning. In
most European towns, authors are obliged carefully to avoid depicting
the daily routine; for our customs, even in luxury, are rarely poetic;
but in Venice nothing appears coarse; the canals, the boats, make
pictures of the commonest events in life.
Public-domain text, read in full here on John Shaqi.
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