Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
On the quay of the galleys you constantly encounter puppet shows,
mountebanks, and story-tellers; the last are worthy of remark. It
is usually some episode from Tasso or Ariosto which they relate in
prose, to the great admiration of their hearers, who sit round the
speaker half clad, and motionless with curiosity; from time to time
they purchase glasses of water, as wine is bought elsewhere, and this
refreshment is all they take for hours, so strongly are their minds
interested. The narrator uses the most animating gestures; his voice
is raised; he irritates himself; he grows pathetic; and yet one sees,
all the while, that at heart he is perfectly unmoved. One might say
to him, as did Sappho to the Circean nymph, who, in perfect sobriety,
was assuming fury: "Bacchante--who art not drunk--what wouldst thou
with me?" Yet the lively pantomime of the south does not appear quite
artificial: it is a singular habit handed down from the Romans,
and springing from quickness of disposition. A people so enslaved
by pleasure may soon be alarmed by the dream of power in which the
Venetian government is veiled. Never are soldiers seen there. If even
a drummer appears in their comedies they are all astonishment; yet
a state inquisitor needs but to show himself to restore order among
thirty thousand people, assembled for a public fête. It were well if
this influence was derived from a respect for the laws; but it is
fortified by terror of the secret means which may still be used to
preserve the peace. The prisons are in the very palace of the Doge,
above and below his apartments. The Lion's Mouth, into which all
denunciations are thrown, is also here; the hall of trial is hung with
black, and makes judgment appear anticipating condemnation.
The Bridge of Sighs leads from the palace to the state prison. In
passing the canal, how oft were heard the cries of "Justice! Mercy!" in
voices that could be no longer recognized. When a state criminal was
sentenced, a bark removed him in the night, by a little gate that opens
on the water: he was taken some distance from the city, to a part of
the Lagune where fishing is prohibited, and there drowned: thus secrecy
is perpetuated, even after death, not leaving the unhappy wretch a
hope that his remains may inform those who loved him that he suffered,
and is no more. When Lord Nevil and Corinne visited Venice, these
executions had not taken place for nearly a century: but sufficient
mystery still existed: and, though Oswald was the last man to interfere
with the politics of foreign lands, he felt oppressed by this arbitrary
power, from which there was no appeal, that seemed to hang over every
head in Venice.
CHAPTER IX.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account