Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
The Prince read some pages of unpretending prose, singularly fitted,
notwithstanding, to display the spirit of Corinne. He pointed out the
particular merit of her works as partly derived from her profound study
of foreign literature, teaching her to unite the graphic descriptions
of the South, with that observant knowledge of the human heart which
appears the inheritance of those whose country offers fewer objects
of external beauty. He lauded her graceful gayety, that, free from
ironical satire, seemed to spring but from the freshness of her fancy.
He strove to speak of her tenderness; but it was easily to be seen that
personal regret mingled with this theme. He touched on the difficulty
for a woman so endowed to meet, in real life, with any object
resembling the ideal image clad in the hues of her own heart; then
contented himself by depicting the impassioned feelings which kindled
her poetry--her art of seizing on the most touching charms of nature,
the deepest emotions of the soul. He complimented the originality of
her expression, which, arising from her own peculiar turn of thought,
constituted an involuntary spell, untarnished by the slightest cloud of
mannerism. He spoke of her eloquence as of a resistless power, which
must transport most those who possessed the best sense and the truest
susceptibility. "Corinne," said he, "is doubtless more celebrated than
any other of our countrywomen; and yet it is only her friends who can
describe her. The qualities of the soul, if real, always require to be
guessed; fame, as well as obscurity, might prevent their detection, if
some congenial sympathy came not to our aid." He dilated on her talent
as an improvisatrice, as distinct from everything which had been known
by that name in Italy. "It is not only attributable," he continued,
"to the fertility of her mind, but to her deep enthusiasm for all
generous sentiments; she cannot pronounce a word that recalls them, but
that inexhaustible source of thought overflows at her lips in strains
ever pure and harmonious; her poetry is intellectual music, such as
alone can embody the fleeting and delicate reveries of the heart." He
extolled the conversation of Corinne, as one who had tasted all its
delights. "There," he said, "is united all that is natural, fanciful,
just, sublime, powerful, and sweet, to vary the mental banquet every
instant; it is what Petrarch termed--
Il parlar che nell' anima si sente'--
a language which is felt to the heart's core, and must possess much
of the vaunted Oriental magic which has been given by the ancients to
Cleopatra. The scenes I have visited with her, the lays we have heard
together, the pictures she has shown me, the books she has taught me
to enjoy, compose my universe. In all these is some spark of her life;
and were I forced to dwell afar from her, I would, at least, surround
myself with them, though certain to seek in vain for her radiant traces
amongst them, when once she had departed."
Public-domain text, read in full here on John Shaqi.
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