Corinne; Or, Italy. Volume 1 (of 2)Staël, Madame de (Anne-Louise-Germaine)
History
Corinne; Or, Italy. Volume 1 (of 2)
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
Lord Nelville reflected some time on the character of Count d'Erfeuil;
that singular mixture of courage and frivolity, that contempt of
misfortune, so great if it had cost more efforts, so heroic if it did
not proceed from the same source that renders us incapable of deep
affections. "An Englishman," said Oswald to himself, "would be weighed
down with sadness under similar circumstances.--Whence proceeds the
resolution of this Frenchman? Whence proceeds also his mobility? Does
the Count d'Erfeuil then truly understand the art of living? Is it only
my own disordered mind that whispers to me I am superior to him? Does
his light existence accord better than mine with the rapidity of human
life? And must we shun reflection as an enemy, instead of giving up our
whole soul to it?" Vainly would Oswald have cleared up those doubts; no
one can escape from the intellectual region allotted him; and qualities
are still more difficult to subdue than defects.
The Count d'Erfeuil paid no attention to Italy, and rendered it almost
impossible for Lord Nelville to bestow a thought upon it; for he
incessantly distracted him from that disposition of mind which excites
admiration of a fine country, and gives a relish for its picturesque
charms. Oswald listened as much as he could to the noise of the wind and
to the murmuring of the waves; for all the voices of nature conveyed
more gratification to his soul than he could possibly receive from the
social conversation indulged in at the foot of the Alps, among the
ruins, and on the borders of the sea.
The sadness which consumed Oswald would have opposed fewer obstacles to
the pleasure which he could have derived from Italy than the gaiety of
Count d'Erfeuil, the sorrows of a sensitive mind will blend with the
contemplation of nature and the enjoyment of the fine arts; but
frivolity, in whatever form it presents itself, deprives attention of
its force, thought of its originality, and sentiment of its profundity.
One of the singular effects of this frivolity was to inspire Lord
Nelville with a great deal of timidity in his intercourse with Count
d'Erfeuil: embarrassment is nearly always on the side of him whose
character is the more serious. Mental levity imposes upon the mind
habitually disposed to meditation, and he who proclaims himself happy,
appears wiser than he who suffers.
The Count d'Erfeuil was mild, obliging, and easy in every thing; serious
only in self love, and worthy of being regarded as he regarded others;
that is to say, as a good companion of pleasures and of perils; but he
had no idea whatever of sharing sorrows: he was wearied to death with
the melancholy of Oswald, and, as much from goodness of heart as from
taste, was desirous of dissipating it.
Public-domain text, read in full here on John Shaqi.
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