The Prince Castel-Forte read some unpretentious pages of prose which were particularly calculated to display the genius of Corinne. He first pointed out the peculiar merit of her work, and said that that merit partly consisted of her profound study of foreign literature: she united, in the highest degree, imagination, florid description and all the brilliancy of the south, with that knowledge, that observation of the human heart, which falls to the share of those countries where external objects excite less interest. He extolled the elegant graces and the lively disposition of Corinne--a gaiety which partook of no improper levity, but proceeded solely from the vivacity of the mind and the freshness of the imagination. He attempted to praise her sensibility, but it was easily perceived that personal regret mingled itself with this part of his speech. He lamented the difficulty which a woman of her superior cast experienced of meeting with the object of which she has formed to herself an ideal portrait--a portrait clad with every endowment the heart and mind can wish for. He however took pleasure in painting the passionate sensibility which the poetry of Corinne inspired, and the art she possessed of seizing every striking relation between the beauties of nature and the most intimate impressions of the soul. He exalted the originality of Corinne's expressions, those expressions which were the offspring of her character and manner of feeling, without ever permitting any shade of affectation to disfigure a species of charm not only natural but involuntary. He spoke of her eloquence as possessing an irresistible force and energy which must the more transport her hearers the more they possessed within themselves true intellectual sensibility. "Corinne," said he, "is indubitably the most celebrated woman of our country, and nevertheless it is only her friends who can properly delineate her; for we must always have recourse, in some degree, to conjecture, in order to discover the genuine qualities of the soul. They may be concealed from our knowledge by celebrity as well as obscurity, if some sort of sympathy does not assist us to penetrate them." He enlarged upon her talent for extemporisation, which did not resemble any thing of that description known in Italy. "It is not only to the fecundity of her mind that we ought to attribute it;" said he; "but to the deep emotion which every generous thought excites in her. She cannot pronounce a word that recalls such thoughts without enthusiasm, that inexhaustible source of sentiments and of ideas animating and inspiring her." The Prince Castel-Forte also made his audience sensible of the beauties of a style always pure and harmonious. "The poetry of Corinne," added he, "is an intellectual melody which can alone express the charm of the most fugitive and delicate impressions."