Corinne; Or, Italy. Volume 1 (of 2)Staël, Madame de (Anne-Louise-Germaine)
History
Corinne; Or, Italy. Volume 1 (of 2)
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
Corinne interrupted the reverie of Oswald, and said to him, "You have
seen Gothic churches in England and in Germany; you must have remarked
that they have a much more gloomy effect than this church. There was
something mysterious in the Catholicism of the northern nations; ours
speaks to the imagination by external objects. Michael Angelo said on
beholding the cupola of the Pantheon, 'I will place it in the air;' and,
in effect, St Peter's is a temple built upon a church. There is some
connection between the ancient religions and Christianity, in the effect
which the interior of this edifice produces upon the imagination. I
often come and walk here to restore to my soul that serenity which it
sometimes loses: the sight of such a monument is like continual and
sustained music, which waits to do you good when you approach; and
certainly we must reckon among the claims of our nation to glory, the
patience, the courage and the disinterestedness of the heads of the
church, who have devoted one hundred and fifty years, so much money, and
so much labour, to the completion of an edifice which they who built it
could not expect to enjoy[10]. It is even a service rendered to the
public morals to present a nation with a monument which is the emblem of
so many noble and generous ideas." "Yes," answered Oswald; "here the
arts possess grandeur, and imagination and invention are full of genius;
but how is the dignity of man himself protected here! What
institutions! what feebleness in the greater part of the governments of
Italy! and, nevertheless, what subjugation in the mind!" "Other
nations," interrupted Corinne, "have borne the yoke the same as we, and
have lacked the imagination to dream of another fate.
'Servi siam si, ma servi ognor frementi.'
'_Yes! we are slaves, but slaves ever quivering with hope,_'
says Alfieri, the most bold of our modern writers. There is so much soul
in our fine arts that perhaps one day our character will be equal to our
genius.
"Behold," continued Corinne, "those statues placed on the tombs, those
pictures in mosaic--patient and faithful copies of the masterpieces of
our great artists. I never examine St Peter's in detail, because I do
not wish to discover those multiplied beauties which disturb in some
degree the impression of the whole. But what a monument is that, where
the masterpieces of the human mind appear superfluous ornaments! This
temple is like a world by itself; it affords an asylum against heat and
cold; it has its own peculiar season--a perpetual spring, which the
external atmosphere can never change. A subterraneous church is built
beneath this temple;--the popes, and several foreign potentates, are
buried there: Christina after her abdication--the Stuarts since the
overthrow of their dynasty. Rome has long afforded an asylum to exiles
from every part of the world. Is not Rome herself dethroned? Her aspect
affords consolation to kings, fallen like herself.
Public-domain text, read in full here on John Shaqi.
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