Corinne; Or, Italy. Volume 1 (of 2)Staël, Madame de (Anne-Louise-Germaine)
History
Corinne; Or, Italy. Volume 1 (of 2)
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
'Cadono le citta, cadono i regni,
E l'uom, d'esser mortal, par che si sdegni.'
'_Cities fall. Empires disappear,
and yet man is angry at being mortal!_'
"Place yourself here," said Corinne to Lord Nelville, "near the altar
in the middle of the cupola; you will perceive through the iron grating,
the church of the dead, which is beneath our feet, and lifting up your
eyes, their ken will hardly reach the summit of the vault. This dome,
viewing it even from below, inspires us with a sentiment of terror; we
imagine that we see an abyss suspended over our head. All that is beyond
a certain proportion causes man, limited creature as he is, an
invincible dread. That which we know is as inexplicable as that which is
unknown, but then we are accustomed to our habitual darkness, whilst new
mysteries terrify us and disturb our faculties.
"All this church is ornamented with antique marble, and its stones know
more than we concerning the ages that are past. There is the statue of
Jupiter, which has been converted into St Peter, by adding the nimbus to
the head. The general expression of this temple perfectly characterises
the mixture of gloomy tenets with brilliant ceremonies; a depth of
sadness in ideas, but the softness and vivacity of the south in external
application; severe intentions, but mild interpretations; the Christian
theology, and the images of Paganism; in a word, the most admirable
union of splendour and majesty that man can infuse into his worship of
the deity.
"The tombs, decorated by the wonders of the fine arts, do not present
death under a formidable aspect. It is not altogether like the ancients,
who engraved dances and games upon their sarcophagi; but the mind is
abstracted from the contemplation of a coffin by the masterpieces of
genius. They recall immortality, even upon the altar of death; and the
imagination animated by the admiration which they inspire, does not
feel, as in the north, silence and cold, the immutable guardians of
sepulchres." "Without doubt," said Oswald, "we wish death to be
surrounded by sadness; and even before we were enlightened by
Christianity our ancient mythology, our Ossian, made lamentations and
dirges concomitants of the tomb. Here one wishes to forget and to enjoy.
I know not whether I should be desirous of such a benefit from your fine
sky." "Do not believe, however," replied Corinne, "that our character is
light, or our mind frivolous; it is only vanity that causes frivolity.
Indolence may introduce some intervals of sleep, or of forgetfulness
into our lives, but it neither wears out nor dries up the heart; and
unfortunately for us we may be aroused from this state by passions more
deep, and more terrible than those of souls habitually active."
Public-domain text, read in full here on John Shaqi.
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