Corse de Leon; or, The Brigand: A Romance. Volume 1 (of 2)James, G. P. R. (George Payne Rainsford)
History
Corse de Leon; or, The Brigand: A Romance. Volume 1 (of 2)
James, G. P. R. (George Payne Rainsford)
France -- History -- Henry II, 1547-1559 -- Fiction
He was in person about the middle height, rather above it than below,
and at this period was not more than twenty-three years of age. His
forehead was broad and fine, with short dark hair curling round it: his
features were small, except the eye and brow, the former of which was
large and full, and the latter strongly marked. The mouth was very
handsome, showing, when half open in speaking, the brilliant white
teeth, and giving to the whole countenance a look of playful gayety;
but, when shut, there was an expression of much thoughtfulness,
approaching perhaps to sternness, about it, which the rounded and
somewhat prominent chin confirmed. The upper lip was very short; but on
either side, divided in the middle, was a short black mustache, not
overhanging the mouth, but raised above it; and the beard, which was
short and black like the hair, was only suffered to grow in such a
manner as to ornament, but not to encumber, the chin.
In form the cavalier was muscular, and powerfully made, his breadth of
chest and shoulders giving the appearance of a more advanced period of
life than that at which he had yet arrived. He was evidently a soldier,
for he was fully armed, as if having lately been or being still in
scenes of strife and danger; and, to say the truth, a man fully armed in
those days was certainly more loaded with weapons, offensive and
defensive, than was probably ever the case before or since.
The picture I have spoken of represents him with not only the complete
armour which was then still used to encase the person, with the long,
heavy sword, the dagger, and the large pistols, but also with four short
carbines--at least such they appear to be--one at each corner of the
saddle. His head, indeed, is seen unencumbered by the steel cap, which
usually completed the armour, but which is borne by the page at his
saddlebow, while the cavalier himself appears wearing upon his head the
somewhat cooler covering of a black velvet cap, without feather or any
other ornament.
The horse that carried him, which was a tall, powerful charger, fared
better in some respects than his master; for before this epoch, the
heavy armour with which steed as well as man used at one time to be
encumbered was lightened in favour of the quadruped, and the horse which
bore the young gentleman of whom we speak was only covered with such
pieces as might protect his head and chest in the shock of the charge.
Public-domain text, read in full here on John Shaqi.
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