The monologue did not differ much from a monologue uttered under similar
circumstances by any young man interested in a young girl whose mother
does not conduct herself becomingly. It was a touching situation, but
a very common one, and there was no necessity for the author to come to
Rome to study it, one entire winter and spring. If that interest went
beyond a study, Dorsenne possessed a very simple means of preventing his
little friend, as he said, from being rendered unhappy by the conduct of
that mother whom age did not conquer. Why not propose for her hand? He
had inherited a fortune, and his success as an author had augmented
it. For, since the first book which had established his reputation, the
‘Etudes de Femmes,’ published in 1879, not a single one of the fifteen
novels or selections from novels had remained unnoticed. His personal
celebrity could, strictly speaking, combine with it family celebrity,
for he boasted that his grandfather was a cousin of that brave General
Dorsenne whom Napoleon could only replace at the head of his guard by
Friant. All can be told in a word. Although the heirs of the hero of the
Empire had never recognized the relationship, Julien believed in it,
and when he said, in reply to compliments on his books, “At my age
my grand-uncle, the Colonel of the Guard, did greater things,” he
was sincere in his belief. But it was unnecessary to mention it, for,
situated as he was, Countess Steno would gladly have accepted him as a
son-in-law. As for gaining the love of the young girl, with his handsome
face, intelligent and refined, and his elegant form, which he had
retained intact in spite of his thirty-seven years, he might have done
so. Nothing, however, was farther from his thoughts than such a project,
for, as he ascended the steps of the staircase of the palace formerly
occupied by Urban VII, he continued, in very different terms,
his monologue, a species of involuntary “copy” which is written
instinctively in the brain of the man of letters when he is particularly
fond of literature.
At times it assumes a written form, and it is the most marked of
professional distortions, the most unintelligible to the illiterate, who
think waveringly and who do not, happily for them, suffer the continual
servitude to precision of word and to too conscientious thought.
Public-domain text, read in full here on John Shaqi.
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