Dorsenne touched her fingers at that moment, under the pretext of taking
from her her fan, in reality to warn her, and he said, in a very low
voice that time:
"Let us go a little farther on. Lydia Maitland is too near."
He fancied he surprised a start on the part of Florent's sister, at whom
he accidentally glanced, while his too-sensible interlocutor no longer
watched her! But as the pretty, clear laugh of Lydia rang out at the
same moment, imprudent Alba replied:
"Fortunately, she has heard nothing. And see how one can speak of
trouble without mistrusting it.... I have just been wicked," she
continued, "for it is not their fault, neither Florent's nor hers, if
there is a little negro blood in their veins, so much the more so as it
is connected by the blood of a hero, and they are both perfectly
educated, and what is better, perfectly good, and then I know very well
that if there is a grand thought in this age it is to have proclaimed
that truly all men are brothers."
She had spoken in a lower voice, but too late. Moreover, even if
Florent's sister could have heard those words, they would not have
sufficed to heal the wound which the first ones had made in the most
sensitive part of her 'amour propre'!
"And I hesitated," said she to herself, "I thought of sparing her!"
The following morning, toward noon, she found herself at the atelier,
seated beside Madame Steno, while Lincoln gave to the portrait the last
touches, and while Alba posed in the large armchair, absent and pale as
usual. Florent Chapron, after having assisted at part of the sitting,
left the room, leaning upon the crutch, which he still used. His
withdrawal seemed so propitious to Lydia that she resolved immediately
not to allow such an opportunity to escape, and as if fatality interfered
to render her work of infamy more easy, Madame Steno aided her by
suddenly interrupting the work of the painter who, after hard working
without speaking for half an hour, paused to wipe his forehead, on which
were large drops of perspiration, so great was his excitement.
"Come, my little Linco," said she, with the affectionate solicitude of an
old mistress, "you must rest. For two hours you have not ceased
painting, and such minute details.... It tires me merely to watch you."
"I am not at all tired," replied Maitland, who, however, laid down his
palette and brush, and rolling a cigarette, lighted it, continuing, with
a proud smile: "We have only that one superiority, we Americans, but we
have it--it is a power to apply ourselves which the Old World no longer
knows.... It is for that reason that there are professions in which we
have no rivals."
"But see!" replied Lydia, "you have taken Alba for a Bostonian or a New
Yorker, and you have made her pose so long that she is pale. She must
have a change. Come with me, dear, I will show you the costume they have
sent me from Paris, and which I shall wear this afternoon to the garden
party at the English embassy."
Public-domain text, read in full here on John Shaqi.
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