Julien began the conversation in his tone of sentimental raillery, so
speedily to be transformed into one of drama! He knew very well, on
arriving at Villa Steno, that he was to have his last tete-a-tete with
his pretty and interesting little friend. For he had at length decided
to go away, and, to be more sure of not failing, he had engaged his
sleeping-berth for that night. He had jested so much with love that he
entered upon that conversation with a jest; when, having tried to take
Alba's hand to press a kiss upon it, he saw that it was bandaged.
"What has happened to you, little Countess? Have my laurels or those of
Florent Chapron prevented you from sleeping, that you are here with the
classical wrist of a duellist?.... Seriously, how have you hurt
yourself?"
"I leaned against a window, which broke and the pieces of glass cut my
fingers somewhat," replied the young girl with a faint smile, adding: "It
is nothing."
"What an imprudent child you are!" said Dorsenne in his tone of friendly
scolding. "Do you know that you might have severed an artery and have
caused a very serious, perhaps a fatal, hemorrhage?"
"That would not have been such a great misfortune," replied Alba, shaking
her pretty head with an expression so bitter about her mouth that the
young man, too, ceased smiling.
"Do not speak in that tone," said he, "or I shall think you did it
purposely."
"Purposely?" repeated the young girl. "Purposely? Why should I have
done it purposely?"
And she blushed and laughed in the same nervous way she had laughed
fifteen minutes before, when she looked down into the street. Dorsenne
felt that she was suffering, and his heart contracted. The trouble
against which he had struggled for several days with all the energy of an
independent artist, and which for some time systematized his celibacy,
again oppressed him. He thought it time to put between "folly" and him
the irreparability of his categorical resolution. So he replied to his
little friend with his habitual gentleness, but in a tone of firmness,
which already announced his determination:
"I have again vexed you, Contessina, and you are looking at me with the
glance of our hours of dispute. You will later regret having been unkind
to-day."
As he pronounced those enigmatical words, she saw that he had in his eyes
and in his smile something different and indefinable. It must have been
that she loved him still more than she herself believed as for a second
she forgot both her pain and her resolution, and she asked him, quickly:
"You have some trouble? You are suffering? What is it?"
"Nothing," replied Dorsenne. "But time is flying, the minutes are going
by, and not only the minutes. There is an old and charming. French ode,
which you do not know and which begins:
'Le temps s'en va, le temps s'en va, Madame.
Las, le temps? Non. Mais nous nous en allons.'"
Public-domain text, read in full here on John Shaqi.
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