In reflecting upon the different degrees of enjoyment presented to us in the contemplation of nature, we find that the first place must be assigned to a sensation, which is wholly independent of an intimate acquaintance with the physical phenomena presented to our view, or of the peculiar character of the region surrounding us. In the uniform plain bounded only by a distant horizon, where the lowly heather, the cistus, or waving grasses, deck the soil; on the ocean shore, where the waves, softly rippling over the beach, leave a track, green with the weeds of the sea; every where, the mind is penetrated by the same sense of the grandeur and vast expanse of nature, revealing to the soul, by a mysterious inspiration, the existence of laws that regulate the forces of the universe. Mere communion with nature, mere contact with the free air, exercise a soothing yet strengthening influence on the wearied spirit, calm the storm of passion, and soften the heart when shaken by sorrow to its inmost depths. Every where, in every region of the globe, in every stage of intellectual culture, the same sources of enjoyment are alike vouchsafed to man. The earnest and solemn thoughts awakened by a communion with nature intuitively arise from a presentiment of the order and harmony pervading the whole universe, and from the contrast we draw between the narrow limits of our own existence and the image of infinity revealed on every side, whether we look upward to the starry vault of heaven, scan the far-stretching plain before us, or seek to trace the dim horizon across the vast expanse of ocean. The contemplation of the individual characteristics of the landscape, and of the conformation of the land in any definite region of the earth, gives rise to a different source of enjoyment, awakening impressions that are more vivid, better defined, and more congenial to certain phases of the mind, than those of which we have already spoken. At one time the heart is stirred by a sense of the grandeur of the face of nature, by the strife of the elements, or, as in Northern Asia by the aspect of the dreary barrenness of the far-stretching steppes; at another time, softer emotions are excited by the contemplation of rich harvests wrested by the hand of man from the wild fertility of nature, or by the sight of human habitations raised beside some wild and foaming torrent. Here I regard less the degree of intensity than the difference existing in the p 26 various sensations that derive their charm and permanence from the peculiar character of the scene.