Costume: Fanciful, Historical and TheatricalAria, Mrs. (Eliza Davis)
History
Costume: Fanciful, Historical and Theatrical
Aria, Mrs. (Eliza Davis)
Costume -- History
But to the enthusiastic chronicler of fashion there was one fact of King
John's reign which was pre-eminently worthy and admirable. This was
the introduction of the wimple, of all attributes to feminine beauty
surely the most becoming ever conceived or accomplished! It was made
either in silk or linen, a covering for the neck, chin, and forehead at
once disguiseful and provocative, coquettish and demure. At times the
wimple was little more than an elaborated veil or kerchief, but in its
most alluring form it was a separate article worn under the veil, as
in a nun's dress of to-day, which, in fact, in all but colour, bears a
striking resemblance to the thirteenth-century dress. Indeed Chaucer
distinguishes the two when he says--
Wering a vaile insted of wimple,
As nonnes don in ther abbey.
The wimple was wrapped round the head and chin, and ladies of wealth
bound it on the forehead by a golden or jewelled fillet, while their
poorer sisters used plain silk. Silken wimples were forbidden to the
nuns, who were then as now devoted to white linen. It is not unlikely
that the wimple originated with the fashion of wearing the coverchief
about the neck, and it was towards the end of the twelfth century that
the coverchief underwent transformation, growing smaller and being tied
under the chin like a modern cap or bonnet.
[Illustration: A SHOE.]
Boots and shoes formed an important portion of dress in the twelfth
century, and here again the interfering cleric played his favourite rôle
of denunciator. The monks, who were denied their wear, abused with vigour
the peak-toed boots and shoes, which indeed reached a point exquisitely
ridiculous when a courtier could choose to stuff the points of his shoes
with tow, so that they might curl up like ram's horns. Dispassionately,
I recognise as much wit as wisdom in the notion.
Women wore short boots as well as shoes, but the dresses were so long
that only the tips of the toes could be seen, and they were content to
embroider these in gold with fanciful or circular devices.
Gloves, jewelled at the back, were chosen by the richer classes, and
coarsely-made warm gloves without fingers received a mild patronage from
the poor. But women wore gloves very rarely; they were not amongst the
trifles which attracted feminine attention, though there was much general
love for variety, and a vast amount of money, care, and thought was
bestowed on personal adornment.
[Illustration: DAGGED COSTUME IN THE TWELFTH CENTURY.]
Public-domain text, read in full here on John Shaqi.
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