Costume: Fanciful, Historical and TheatricalAria, Mrs. (Eliza Davis)
History
Costume: Fanciful, Historical and Theatrical
Aria, Mrs. (Eliza Davis)
Costume -- History
A comparative simplicity marked the raiment of the thirteenth century,
when the elaborate detail yielded place to ample folds of drapery,
capacious mantles, and flowing trains. It was a simplicity, however,
which cannot conscientiously be congratulated upon its economical habits,
for the fabrics employed were of the richest and most sumptuous, and the
breadth of the garments was prodigious. The dress which is so proudly
worn by the Queen in the illustration on page 20, is characteristically
splendid, and a glance at it shows that it was fashioned of a thick
brocade traced in diamond design, and cut square in the neck and very
long in the sleeves, where a few folds of white lawn appear becomingly
above the wrists, the veil falling from neck to hem, and the enfolding
gorget being fastened tightly under the chin. Pre-eminently typical was
another dress honoured by this Eleanor of Provence--a most unpopular
lady, by the way, even though her taste in costume might have made for
some measure of success, at least amongst her feminine subjects. She
chose "a gown of gold brocade, sleeves reaching to the wrists, while
over this she wore a mantle bordered with gold and bearing a collar of
ermine. The mantle was held up by a brooch of gold set with jewels, the
head crowned with a Gothic design of floriated trefoils above a jewelled
band."
[Illustration: HENRY III.'S QUEEN.]
[Illustration: A SIMPLE BUTTONED GOWN.]
The following description, commendably brief, which I have read of a
dress worn by the wife of Edward I. will bring home the fashion of the
day to the understanding of the least initiated:--"A long gown with loose
sleeves; held at the breast by a narrow band is a long mantle, folds of
this covering the feet; ornaments none." But then no doubt the amiable
lady suffered from a popular leaning in favour of conjugal obedience, and
it is well known that King Edward himself strenuously upheld all simple
garb, though it must be admitted that his descendants showed but small
respect for his prejudices when they buried him in "a dalmatic of red
silk damask, a crimson satin mantle fastened on the shoulders by a gilt
fibula decorated with precious stones; a stola of white tissue ornamented
with gilt quatrefolds and knots crossed on the breast, and jewelled
gloves upon his august hands. The lower part of his body was wrapped in
a piece of cloth of gold."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account