Costume: Fanciful, Historical and TheatricalAria, Mrs. (Eliza Davis)
History
Costume: Fanciful, Historical and Theatrical
Aria, Mrs. (Eliza Davis)
Costume -- History
The treatment of the hair was extremely elaborate and difficult, calling
for the exercise of considerable skill and patience. Cut straight across
the forehead, it was arranged with mathematical precision in several
rows of fine plaits, the clubbed ends terminating immediately below the
nape of the neck. As a coiffure of this kind necessitated an enormous
expenditure of time and labour, all classes of society had recourse to
wigs, the rich employing natural hair for the purpose, and the poor,
wool. A typical example of a fashionable perruque took the form of a
densely-braided mass which covered the head as efficaciously as a mat,
one large plait coming down at either side of the face, and curving round
on the shoulder in the shape of an elephant's trunk. The crown of the
head was usually encircled by a slender golden fillet, which, in the case
of a Pharaoh, or a royal lady, was twined about with the uræus, emblem
of supreme sovereignty. The head of the sacred asp reared threateningly
in the centre of the forehead. Cleopatra--not the famous Cleopatra of
Mark Antony, but one of her five predecessors--is represented with the
bare bosom, naked arms, circular collar, and skin-tight skirt common to
her countrywomen. A noteworthy feature is that her dress, of bright blue
and white material, shows horizontal stripes to the knees, where it is
joined by a slightly fuller flounce with the stripes running vertically.
It is supported by scarlet shoulder-straps, and the ribbon encircling
the crown of the head is in the same shade, knotted at the back, where
it hangs in two short ends. The wig is arranged in multitudinous plaits
that rest on the shoulders at either side and descend midway to the waist
behind. Above the forehead rears the royal asp, and over it tower two
straight quills, which form a background for the horns of a ram between
which glares a flaming sun; these quills, by the way, typify absolute
sovereignty.
[Illustration: AN EGYPTIAN PEASANT.]
The head-covering in general use consisted of a piece of material shaped
to rest flat on the top of the head and describe a curve in front, with
a straight, narrow tab cut up at the side to allow free passage for the
shoulder, the back hanging curtain-wise to afford ample protection to the
nape of the neck. The textures employed for such purposes were cotton,
linen, and wool decorated with stripes or embroidery.
The men, as well as the women, glittered with bracelets, anklets, and
other jewellery of a massive and showy type. White was preferred to
colours for their clothing; and the habitual costume for men was of
the scantiest possible description, being nothing more or less than a
sleeveless tunic held up by shoulder-straps, a narrow piece of ribbon
being tied round the waist, terminating in two short ends in front. This
skirt or tunic reached to the knee or calf, and sometimes even as far as
the ankle; the legs, arms, and chest were bare, and the face clean-shaven.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account