Costume: Fanciful, Historical and TheatricalAria, Mrs. (Eliza Davis)
History
Costume: Fanciful, Historical and Theatrical
Aria, Mrs. (Eliza Davis)
Costume -- History
A great warrior is depicted wearing a tightly-fitting shirt of mail
composed of bronze scales sewn on to soft leather, displaying short
sleeves and descending below the knees, a white metal gauntlet protecting
the left wrist. On the head is a high, narrow helmet which completely
conceals the hair, and from it floats three pendent ends of striped
material. About the throat is a jewelled and enamelled collar, and from
a thick gold chain hangs a large gold ornament engraved with figures.
It is known that the finest and most transparent muslins were first
manufactured by the ancient Egyptians, and doubtless these were used for
making dresses; indeed in proof of this many representations are extant
of female musicians clad in diaphanous muslin through which the body can
be clearly seen. The loose robe is drawn under the right arm and fastened
on the left shoulder.
Did Egyptian women ever grow old, I wonder, and if so, what did they
wear? The artists have left us no record save of the eternal feminine
eternally youthful.
CHAPTER XIV
OF ORIENTAL DRESS (_continued_)
"And never the twain shall meet," lilts Kipling of the East and the West;
and in the province of dress, as everywhere else in the Orient, caste,
ruling supreme, writes incontroversial laws of separation.
In India, the article of masculine attire to which most importance
attaches is the turban, its shape and general aspect denoting the social
and spiritual status of the wearer.
Until the founding of the Mogul Empire in 1505, the women of Hindostan
were strangers to the tyranny both of the Zenana and of the veil, but
from that time onwards traces of Mohammedan influence are plainly visible
in the habits and costume of the people.
The utmost magnificence and display characterised the dress of the Mogul
Emperors and their Court; and although differing in colour, texture, and
certain minute details, the costumes common to the period were identical
in broad outline and general design; and Fashion moved so slowly in a
country where tradition was regarded as law, that the sleeve and collar
in vogue at the end of a century were very like those obtaining at the
beginning.
Public-domain text, read in full here on John Shaqi.
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