Costume: Fanciful, Historical and TheatricalAria, Mrs. (Eliza Davis)
History
Costume: Fanciful, Historical and Theatrical
Aria, Mrs. (Eliza Davis)
Costume -- History
"Fancy me in fancy dress," sings some gay lady in some gay play, and the
notion is full of fascination, which may best be realised, not by the
borrowing of clothes, but by making them, planning them, inventing them,
and, above all, wearing them with grace. We have passed the days and
nights when we yearned to represent some tragic figure--when to appear as
Marie Antoinette or Mary Queen of Scots seemed the pinnacle of delight.
Gone too are the times when the representation of the lamp-shade would
exhaust the inventive power of the many, and fled are our desires to
coquette as a Columbine or flit as a fairy in white tulle.
In an assembly where none are masked, a masked girl may attract
conspicuous attention, a monk who never draws cowl from his face may have
a following of the curious; she who would dress as Money, in gold or
yellow satin, jingling with golden coins, may be assured that she will
be run after, and she who represents Cleopatra, or some other Oriental
queen, blazing with jewels, will not be allowed to sit in a corner.
An audacious selection is the costume of the Wallflower in gold and
brown, which looks its best when made in chiffon and velvet.
As a rule, it must be admitted that the finest fancy dress looks the
best, and however charming may be the effects arrived at with muslin,
cotton, crêpe, and calico, she who stands out in the vast crowd will
be she who has the most magnificent clothes. The glories of brocade
and satin and velvet will always hold supreme sway, allied to some
distinctively grand head-dress elevated from the head on a frame and
banded with jewels, with a long diaphanous veil flowing into a sumptuous
length of train. The splendidly glorious is only rivalled by the darkly
mysterious, and the maiden of the Yashmak, if only she has the liquid
eye that speaks the flirtatious soul, and the veiled Sorceress, if her
wit be sufficient to carry the situation, may be quite irresistible: for
always the unknown allures.
[Illustration: A SOUTH SEA ISLANDER.]
[Illustration: THE KNAVE OF DIAMONDS.]
An idea which, to say the least of it, savours nothing of conceit is
to select the costume of a South Sea Islander, and it is one most easily
contrived with a sateen foundation oversewn with feathers, and surmounted
by a head-dress of erect plumes disposed in wild confusion above locks
apparently uninfluenced by the persuasive brush or comb. You can see the
result pictured, and note the contrast of the sleek knave of diamonds,
whose dress should be expressed in red and blue and white and yellow,
with black silk stockings.
Public-domain text, read in full here on John Shaqi.
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