Costume: Fanciful, Historical and TheatricalAria, Mrs. (Eliza Davis)
History
Costume: Fanciful, Historical and Theatrical
Aria, Mrs. (Eliza Davis)
Costume -- History
In deciding upon a costume for a fancy-dress ball, the first thought
of the reveller should be to secure the becoming and the suitable, and
to be successful the choice should be mainly influenced by his or her
personality. I quite realise the problem to be a difficult one, since
happily we have not the gift given to us to see ourselves as others see
us, else should we never meet a podgy Mephistopheles bulging out of his
clothes, nor an attenuated Juno, nor a dusky Desdemona, nor a buxom Puck.
Most artistic and felicitous results may be obtained from copying
costumes in old pictures; and visits to the National Gallery, and an
afternoon spent at the Wallace Collection, will prove themselves at once
a profit and a pleasure, and an easy guide towards the selection of the
appropriate dress. It is advisable on such occasions to be accompanied by
the kind friend who, without fear to risk a reproach, will counsel with
all wisdom, and temper your ambitions to your personality.
An admirable item in the programme of the fancy-dress ball is the
quadrille, the lancers, or the cotillon, which shall be danced by
people clad in costumes of the same period, such harmony being a
special pleasure to the beholder, who may nevertheless also glean some
entertainment from the spectacle of the nineteenth-century Columbine
hobnobbing with the fourteenth-century monk; and may no doubt get some
satisfaction from the sight of Cleopatra in the arms of the Devil.
But I will linger no longer lightly in the realms of fancy dress, but
penetrate the dark depths of Dominoes and Masks, leaving the many
illustrations in these pages culled from the centuries to speak the last
word of selection with most fluent and expressive tongue.
CHAPTER XVI
OF DOMINOES AND MASKS
Italian in conception, the domino is of ecclesiastical origin, and as
such has retained its monkish aspect throughout the many changes rung
by fashion. In its primitive form it consisted of a long, loose robe of
black material with a cowl attachment which completely covered the head.
During the middle ages, and, in fact, as late as the sixteenth century,
it constituted the popular travelling costume of those engaged upon
secret missions. Disguised in the habit common to the countless hordes of
monks and other pious mendicants who infested the country, it was an easy
matter to go, unnoticed, from end to end of Europe, the garb protecting
its wearer and ensuring him immunity from criticism or inquiry.
Public-domain text, read in full here on John Shaqi.
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