Country life -- England -- Fiction; Short stories, English; Working class -- England -- Fiction
“Did I?” said he dreamily.
“O’ course you did!” she declared. “And folk must allers do what they
promises.”
Again he did not reply, because, though he heard, his heart was too full
to heed. This was why his arm had been sure that day when he had saved
her from death.
But a sudden misgiving seemed to seize her at his silence, and she cried
defiantly: “’Cos I ain’t niver goin’ away no more, Daddie. Niver no
more!”
Then the torrent of his joy was loosed. He pressed her convulsively to
his heart and kissed her ... kissed her for all the weary days that were
past ... for all the many hours of longing emptiness, when he might have
had her to kiss and had not chosen to do so! Kissed her for all the
kisses that he had cheated her of.
“No, never no more!” echoed he fervently. “Daisy sha’n’t go away from
’er old Daddie never no more!”
The moon was high up in the sky; the red had waned in her but the gold
glowed, for she was the harvest moon. Over the dim marsh-land faint
mists were beginning to rise, like tender ghosts of the day that was
gone,—and the mystery of dusk hovered abroad.
Tom Wycombe sat as he had sat three months ago, when he had given thanks
to his God for restoring his child to him from the grave.
And now he understood what was the meaning of the peace which passeth
all understanding.
A FARM TRAGEDY
A FARM TRAGEDY
The moon shone fitfully into the wood; shone fitfully because wild
clouds were hurrying across the sky at intervals, so that the feeble
radiance could not even pierce, as it might have done, the tender
shadows of the forest that autumn gales had not yet stripped of its
golden glory.
At the foot of the dell two figures stood leaning against the gate that
led from the wood on to the undulating ground beyond.
The damp, russet leaves made a carpet under their feet, and fluttered
softly down upon them as the gusts flew past; for their heads were bare,
his cap had fallen off and bonnet she had none, and golden curls mingled
with black ones as her face lay upon his shoulder and his rested against
her cheek.
They were lovers and they were young—very young. Any one could have told
that—even in the fitful moonlight, even in the shadow: slender and
strong and supple of pose—boy and girl still.
“Oh, Charley, what ever shall I do when you’re gone!” moaned she. “I
don’t see as ’ow I can get along anyways! It’d be bad enough for any
girl, but it’s worse for me, ye must own, ’cos I can’t never say a word
to nobody about ye. It’s as much as my life’s worth to let it be knowed
as I wish ye a good-even. Ye don’t guess ’ow father ’ates you and yours,
I’ll be bound ye don’t. I b’lieve as ’e’d sooner see me dead than wed to
ye. Oh, Charley, _must_ ye go away?”
There was a plaintive prophecy of tears in the soft murmuring voice, and
the lad’s tones were nearly as rueful as he answered.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account