Countess Vera; or, The Oath of VengeanceMiller, Alex. McVeigh, Mrs.
Philosophy
Countess Vera; or, The Oath of Vengeance
Miller, Alex. McVeigh, Mrs.
Dime novels; England -- Fiction; Orphans -- Fiction; Young women -- Fiction
"And I tell you they are _dead_!" she answers, hoarsely. "If you will
not believe me, go to Glenwood. You know our family burial-plot. There
you will find two new-made graves. Ask the sexton whose they are, and
he will tell you Mrs. Campbell's and her daughter Vera's. Your wife
died three nights ago--died of a broken heart, while I, her sister who
hated her, was dancing at a ball! Your daughter, Vera, died the night
before last by her own hand--died the death of the suicide! Ha, ha!"
she laughed, sneeringly, "have I not had a glorious revenge for my
slighted love?"
"I will not believe you--I cannot. It is too terrible," Lawrence
Campbell moans, with his hands pressed to his head, and a dazed look in
his great, black eyes.
"You may, for it is true," exclaims Ivy, coming forward into the light,
with a wicked triumph in her pale-blue eyes. "If you will not believe
my mother, go to the graveyard and see, as she bade you."
He lifts his eyes and stares at her a moment, a white, dizzy horror
on his face. The next moment he reels forward blindly, like some
slaughtered thing, and falls in a white and senseless heap upon the
floor.
"You have killed him, too, mamma," Ivy exclaims, exultantly.
The heartless woman, turning around, spurns the fallen body with her
foot.
"A fit ending to the tragedy," she utters, cruelly. "Ring the bell for
a servant, Ivy."
In a moment a white-aproned menial appears in the room. Mrs. Cleveland
looks at him frowningly.
"John, who admitted this drunken fellow into the house?" she inquires,
sharply.
"I did, madam. He said he was an old friend of yours," the man answers
respectfully. "Is anything wrong about it, madam? He seems," bending
over him, "to be dead."
"Dead drunk," the woman utters, scornfully. "Drag him out of the house,
John, and throw him into the street."
The man stares in consternation.
"It's pouring down rain, ma'am," he exclaims, deprecatingly, "and
pitchy dark. Hadn't I best call the police?"
"Do as I bid you," Mrs. Cleveland storms. "Throw him into the street,
and leave him there. And mind how you admit such characters into the
house again, or you may lose your place!"
She stands still with lowering brows, watching the man as he executes
her orders, dragging the heavy, unconscious form from the room, and
along the hall to the door.
When the lumbering sound has ceased, and the heavy clang of the outer
door grates sharply on the silence, she draws a deep breath of relief.
"Now I know why you always hated Vera and her mother so much," Ivy
exclaims. "Why did you never tell me, mamma?"
"It was no business of yours," Mrs. Cleveland answers, sharply.
"Oh, indeed, we are very lofty!" Ivy comments, impudently.
Mrs. Cleveland makes her no answer. She has sunk into the depths of a
velvet-cushioned chair, and with lowered eyelids and protruding lips
seems to be grimly brooding. Her form seems to have collapsed and grown
smaller, her face is ashy white.
Public-domain text, read in full here on John Shaqi.
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