City and town life -- Fiction; Country life -- Fiction
“Indeed? Umph! Not a bad match. Has he got any money? I don’t believe
Tramlay is more than holding his own.”
Phil felt his face flush as he moved away. He wanted to resent the
remarks about his hostess, an implication that his friend Tramlay was
other than rich, and, still more, that any young man could be led to the
marriage-altar merely by money. If people were talking about him in such
fashion he wished he might be out of sight. He would return at once to
his hotel, had he not promised to take Lucia down to supper. He could at
least hide himself, for a little while, in the gentlemen’s room
up-stairs. Thither he went, hoping to be alone, but he found Marge, who
had just come in, and who lost his self-possession for an instant when
he recognized the well-dressed young man before him.
“Anybody here?” drawled Marge.
“Lucia is,--I mean Miss Tramlay,” said Phil, in absent-minded
fashion,--“and lots of other people, of course.”
Marge looked curiously at Phil’s averted face, and went down-stairs.
Phil remained long enough to find that his mind was in an utter muddle,
and that apparently nothing would compose it but another glimpse of
Lucia. As supper was served soon after he went down, his wish was
speedily gratified. From that time forward his eye sought her
continually, although he tried to speak again to every one to whom he
had been introduced. How he envied Lucia’s father, who was to escort
the little witch home! How he wished that in the city, as at Haynton,
people walked home from parties, and stood a long time at the gate, when
maid and man were pleasantly acquainted!
He saw Lucia go up-stairs when the company began leave-taking; he stood
at the foot of the stair, that he might have one more glance at her. As
she came down she was an entirely new picture, though none the less
charming, in her wraps. And--oh, bliss!--she saw him, and said,--
“See me to the carriage, Phil, and then find papa for me.”
How tenderly he handed her down the carpeted stone steps! He had seen
pictures of such scenes, and tried to conform his poses with those he
recalled. He opened the carriage door. Lucia stepped in, but her train
could not follow of its own volition, so Phil had the joy of lifting the
rustling mass that had the honor of following the feet of divinity. Then
he closed the carriage door regretfully, but a little hand kindly stole
through the window as Lucia said,--
“Good-night. Don’t forget to send papa out.”
“I won’t,” said Phil. Then he looked back quickly: the door of the house
was closed, so he raised the little hand to his lips and kissed it
several times in rapid succession. True, the hand was gloved; but Phil’s
imagination was not.
CHAPTER XI.
DRIFTING FROM MOORINGS.
Public-domain text, read in full here on John Shaqi.
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