City and town life -- Fiction; Country life -- Fiction
“That’s one of the signs.”
“What’s a sign?--sign of what?” said Phil, affecting wonder not quite
skilfully.
“When ‘there’s only one young woman’ it’s a sign the young man who
thinks so is likely to consider her the only one worth thinkin’ about.”
“Oh, pshaw!” exclaimed Phil, attacking the wood-pile with great
industry.
“Easy, old boy; ’twasn’t the wood-pile that said it. Brace up your head;
you’ve done nothing to be ashamed of. Besides, your old father can see
through the back of your head, anyhow: he’s been practisin’ at it ever
since you were born.”
Phil seated himself on the wood-pile, looked in the direction where his
father was not, and said,--
“I like Lucia very much. She’s a new face; she’s different from the
girls about here. She’s somebody new to talk to, and she can talk about
something beside crops, and cows, and who is sick, and last Sunday’s
sermon, and next month’s sewing-society. That’s all.”
“Yes,” said the old man. “It doesn’t seem much, does it? Enough to have
made millions of bad matches, though, and spoiled millions of good
ones.”
Phil was silent for a moment; then he said, with a laugh,--
“Father, I believe you’re as bad as old Mrs. Tripsey, whom mother’s
always laughing at because she thinks a man’s in love if he sees her
daughter home from prayer-meeting.”
“P’r’aps so, my boy,--p’r’aps,--and maybe as bad as you, for every time
there’s a bad thunder-storm you’re afraid the lightning’ll strike the
barn. Do you know why? It’s because your finest colt is there. Do you
see?”
Phil did not reply, so the old man continued:
“I’ll make it clearer to you. You’re my finest colt; there’s more
lightnings in a girl’s eyes than I ever saw in the sky, you don’t know
when it’s going to strike, and when it hits you you’re gone before you
know it.”
“Much obliged. I’ll see to it that I keep myself well insulated,” said
Phil.
Nevertheless, Phil studied Lucia whenever he had opportunity,--studied
her face when she read, her fingers when they busied themselves with
fancy work, her manner with different persons, as it changed according
to her idea of the deservings of those with whom she talked. At church
he regarded her intently from the beginning of the service to its end,
analyzing such portions of prayer, hymn, or sermon as did not seem to
meet her views. He even allowed his gaze to follow her when she looked
more than an instant at other young women, in the ignorance of his
masculine heart wondering which of the features of these damsels
specially interested her; his mother could have told him that Lucia was
merely looking at bonnets and other articles of attire, instead of at
their wearers. He wondered what she thought; he told himself where her
character was at fault, and how it might be improved. In short, he had
ample mental leisure, and she was the newest and consequently the least
understood of his various subjects of contemplation.
Public-domain text, read in full here on John Shaqi.
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