American fiction -- 20th century; Country life -- Fiction
"I dunno what mother'd say," whispered Hannah Call, whose mother, old
and yet regnant as the best housekeeper in town and a repository of all
the most valuable recipes, had died that year. "I guess she'd say we was
possessed."
"We be," said Isabel recklessly. "That's the only fun there is, bein'
possessed. If you ain't one way, you'd better be another. It's the
way's the only thing to see to."
"I said I was sick o' paint an' powder," said Caddie. "Well, so I be,
but I'll put flour in my hair so 't's as white as the drifted snow. I've
got aunt Hope's gre't horn spe'tacles."
"I guess I could borrer one o' gramma Ellsworth's gounds," said Mrs.
Pray. A light rarely seen there had come into her dull eyes. Isabel,
with that prescience she had about the minds of people, knew what it
meant. Mrs. Pray, though she was contemplating the garb of eld, was
unconsciously going back to youth and the joy of playing. "She ain't
quite my figger, but I guess 'twill do."
Lydia Vesey gave her a kindly look, yet scathing in its certainty of
professional strictures.
"There ain't nobody that ever I see that's anywhere near your figger,"
she said, in the neighborly ruthlessness that was perfectly understood
among them. "But you hand the gound over to me, an' I can fix it."
"Everybody flour their hair," cried Isabel, with the mien of inciting
them deliriously.
"Everybody that's got plates, take 'em out," added Martha, the
administrative, catching the infection and going a step beyond.
"Why, we can borrer every stitch we want," said Lydia Vesey. "Borrer of
the dead an' borrer of the livin'. I know every rag o' clo'es that's
been made in this town, last thirty years. There's enough laid away in
camphire, of them that's gone, to fit out three-four old ladies' homes."
"It'll be like the resurrection," said Ellen Bayliss, with that little
breathless catch in her voice.
"What you mean by that, Ellen?" asked Martha gently.
"I know what she means," said Isabel, while Ellen, the blood running
into her cheeks, looked helplessly as if she wished she had not spoken.
"She means we're goin' to dress ourselves up in the things of them
that's gone, a good many of 'em, an' we can't help takin' on the ways of
folks that wore 'em. We can't anyways help glancin' back an' kinder
formin' ourselves on old folks we've looked up to. Seems if the dead
would walk."
Sometimes people shuddered at Isabel's queer sayings, but at this every
one felt moved in a solemn way. It seemed beautiful to have the dead
walk, so it was in the remembrance of the living.
"Shall we let the men in?" asked Caddie anxiously. "I dunno what they'll
say 'f we don't." Her silent husband was the close partner of her life.
To Marshmead it seemed as if he might as well have been born dumb, but
Caddie never omitted tribute to his great qualities.
"Mercy, yes," said Isabel, "if they'll dress up. Not else. They've got
to be gran'ther Graybeards every one of 'em, or they don't come. You
tell 'em so."
Public-domain text, read in full here on John Shaqi.
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