American fiction -- 20th century; Country life -- Fiction
To-day she walked swiftly through the warm incense of the pines. It was
hot weather, and insects vexed the ear with an unwearied trill. But the
heat of despair was greater in the girl than any such assault. Her
cheeks had each a deep red spot. Her eyes were dark with feeling, and on
the long black lashes hung fringing drops. She walked lightly, with
springing strides. Beyond the pine woods, in the patch of sunny road
bordered by dust-covered hardhack and elder, she paused for a moment, to
dash the tears from her eyes. There in the open day she felt as if some
prying glance might read her grief. The woods were kinder to it.
Sabrina's house was at the first turning, a gray, weather-beaten
dwelling of mellow tones, set within a generous sweep of green. It had a
garden in front. Sabrina herself was in the garden now, weeding the
balm-bed. Sometimes Clelia thought the garden was almost too sweet after
Sabrina had been there stirring up the scents. At least a third of it
was given to herbs, and even the touch of a skirt in passing would brush
out fragrance from it. There were things there that strangely seemed to
have no smell at all; but grown in such rank masses, they contributed
mysteriously to the alembic of the year.
Sabrina, risen to her feet now, had a look of youth touched by something
that was not so much age as difference. She was slender, and still with
a girl's symmetry, the light-footed way of moving, the little sinuous
graces of a body unspoiled and delighting in its own uses. Her face had
a rounded plumpness, and her cheeks were pink. People said now, as they
had in her youth, that Sabrina Thorne had the skin of a baby. One old
woman, chiefly engaged in marking down human commodities, always added
that it was because of that heart trouble Sabrina had; but nobody
listened. Sabrina seemed to have made no concession to time, save that
her waving hair was white. In its beauty and abundance, it was a marvel.
It sprang thickly up on each side of her parting, and the soft mass of
it was wound round and round on the top of her head. She was a beautiful
being, neither old nor young.
She stood there smiling at Clelia's approach.
"How do?" she said softly; but when the girl was near enough to betray
the trouble of her face, she added, "Whatever is the matter?"
"Come into the house, Sabrina," said Clelia, in a muffled voice. "I
can't tell it out here."
Sabrina dropped her trowel on a heap of weeds, and cast her gardening
gloves on the top. She led the way to the house, and when they were in
the coolness of the big sitting-room with its air of inherited repose,
she turned about and spoke again in her round, low voice. "Well?" There
was anxiety in the tone.
Clelia, facing her, began to speak with a hard composure.
Public-domain text, read in full here on John Shaqi.
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