Courts, Criminals and the CamorraTrain, Arthur Cheney
History
Courts, Criminals and the Camorra
Train, Arthur Cheney
Camorra; Criminals -- United States; Justice, Administration of -- United States
The instant that a sensational homicide occurs, the aim of the editors
of these papers is—not to see that a swift and sure retribution is
visited upon the guilty, or that a prompt and unqualified vindication
is accorded to the innocent, but, on the contrary, so to handle the
matter that as many highly colored “stories” as possible can be run
about it.
Thus, where the case is perfectly clear against the prisoner, the
“yellow” press seeks to bolster up the defence and really to justify
the killing by a thinly disguised appeal to the readers’ passions. Not
infrequently, while the editorial page is mourning the prevalence of
homicide, the front columns are bristling with sensational accounts of
the home-coming of the injured husband, the heart-breaking confession
of the weak and erring wife, and the sneering nonchalance of the
seducer, until a public sentiment is created which, if it outwardly
deprecates the invocation of the unwritten law, secretly avows that it
would have done the same thing in the prisoner’s place.
This antecedent public sentiment is fostered from day to day until it
has unconsciously permeated every corner of the community. The juryman
will swear that he is unaffected by what he has read, but unknown to
himself there are already tiny furrows in his brain along which the
appeal of the defence will run.
In view of this deliberate perversion of truth and morals, the
euphemisms of a hard-put defendant’s counsel when he pictures a chorus
girl as an angel and a coarse bounder as a St. George seem innocent
indeed. It is not within the rail of the court-room but within the
pages of these sensational journals that justice is made a farce.
The phrase “contempt of court” has ceased practically to have any
significance whatever. The front pages teem with caricatures of the
judge upon the bench, of the individual jurors with exaggerated
heads upon impossible bodies, of the lawyers ranting and bellowing,
juxtaposed with sketches of the defendant praying beside his prison cot
or firing the fatal shot in obedience to a message borne by an angel
from on high.
How long would the “unwritten law” play any part in the administration
of criminal justice if every paper in the land united in demanding,
not only in its editorials, but upon its front pages, that private
vengeance must cease? Let the “yellow” newspapers confine themselves
simply to an accurate report of the evidence at the trial, with a
reiterated insistence that the law must take its course. Let them stop
pandering to those morbid tastes which they have themselves created.
Let the “Sympathy Sisters,” the photographer, and the special artist be
excluded from the court-room. When these things are done, we shall have
the same high standard of efficiency upon the part of the jury in great
murder trials that we have in other cases.
CRIMINALS
CHAPTER IV
WHY DO MEN KILL?
Public-domain text, read in full here on John Shaqi.
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