Didactic fiction; French fiction -- Translations into English; Paris (France) -- Social life and customs -- 19th century -- Fiction
Adeline, then sixteen years of age, might be compared with the famous
Madame du Barry, like her, a daughter of Lorraine. She was one of those
perfect and striking beauties--a woman like Madame Tallien, finished
with peculiar care by Nature, who bestows on them all her choicest
gifts--distinction, dignity, grace, refinement, elegance, flesh of a
superior texture, and a complexion mingled in the unknown laboratory
where good luck presides. These beautiful creatures all have something
in common: Bianca Capella, whose portrait is one of Bronzino’s
masterpieces; Jean Goujon’s Venus, painted from the famous Diane de
Poitiers; Signora Olympia, whose picture adorns the Doria gallery;
Ninon, Madame du Barry, Madame Tallien, Mademoiselle Georges, Madame
Recamier.--all these women who preserved their beauty in spite of years,
of passion, and of their life of excess and pleasure, have in
figure, frame, and in the character of their beauty certain striking
resemblances, enough to make one believe that there is in the ocean of
generations an Aphrodisian current whence every such Venus is born, all
daughters of the same salt wave.
Adeline Fischer, one of the loveliest of this race of goddesses, had the
splendid type, the flowing lines, the exquisite texture of a woman born
a queen. The fair hair that our mother Eve received from the hand of
God, the form of an Empress, an air of grandeur, and an august line of
profile, with her rural modesty, made every man pause in delight as she
passed, like amateurs in front of a Raphael; in short, having once seen
her, the Commissariat officer made Mademoiselle Adeline Fischer his wife
as quickly as the law would permit, to the great astonishment of the
Fischers, who had all been brought up in the fear of their betters.
The eldest, a soldier of 1792, severely wounded in the attack on the
lines at Wissembourg, adored the Emperor Napoleon and everything that
had to do with the _Grande Armee_. Andre and Johann spoke with respect
of Commissary Hulot, the Emperor’s protege, to whom indeed they owed
their prosperity; for Hulot d’Ervy, finding them intelligent and honest,
had taken them from the army provision wagons to place them in charge
of a government contract needing despatch. The brothers Fischer had
done further service during the campaign of 1804. At the peace Hulot had
secured for them the contract for forage from Alsace, not knowing that
he would presently be sent to Strasbourg to prepare for the campaign of
1806.
Public-domain text, read in full here on John Shaqi.
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