Didactic fiction; French fiction -- Translations into English; Paris (France) -- Social life and customs -- 19th century -- Fiction
Thinking of her daughter brought her back to the father; she saw him
sinking by degrees, day after day, down to the social mire, and even
dismissed some day from his appointment. The idea of her idol’s fall,
with a vague vision of the disasters prophesied by Crevel, was such a
terror to the poor woman, that she became rapt in the contemplation like
an ecstatic.
Cousin Betty, from time to time, as she chatted with Hortense, looked
round to see when they might return to the drawing-room; but her young
cousin was pelting her with questions, and at the moment when the
Baroness opened the glass door she did not happen to be looking.
Lisbeth Fischer, though the daughter of the eldest of the three
brothers, was five years younger than Madame Hulot; she was far from
being as handsome as her cousin, and had been desperately jealous of
Adeline. Jealousy was the fundamental passion of this character, marked
by eccentricities--a word invented by the English to describe the
craziness not of the asylum, but of respectable households. A native
of the Vosges, a peasant in the fullest sense of the word, lean, brown,
with shining black hair and thick eyebrows joining in a tuft, with long,
strong arms, thick feet, and some moles on her narrow simian face--such
is a brief description of the elderly virgin.
The family, living all under one roof, had sacrificed the common-looking
girl to the beauty, the bitter fruit to the splendid flower. Lisbeth
worked in the fields, while her cousin was indulged; and one day, when
they were alone together, she had tried to destroy Adeline’s nose, a
truly Greek nose, which the old mothers admired. Though she was beaten
for this misdeed, she persisted nevertheless in tearing the favorite’s
gowns and crumpling her collars.
At the time of Adeline’s wonderful marriage, Lisbeth had bowed to fate,
as Napoleon’s brothers and sisters bowed before the splendor of the
throne and the force of authority.
Adeline, who was extremely sweet and kind, remembered Lisbeth when she
found herself in Paris, and invited her there in 1809, intending to
rescue her from poverty by finding her a husband. But seeing that it was
impossible to marry the girl out of hand, with her black eyes and sooty
brows, unable, too, to read or write, the Baron began by apprenticing
her to a business; he placed her as a learner with the embroiderers to
the Imperial Court, the well-known Pons Brothers.
Lisbeth, called Betty for short, having learned to embroider in gold
and silver, and possessing all the energy of a mountain race, had
determination enough to learn to read, write, and keep accounts; for her
cousin the Baron had pointed out the necessity for these accomplishments
if she hoped to set up in business as an embroiderer.
She was bent on making a fortune; in two years she was another creature.
In 1811 the peasant woman had become a very presentable, skilled, and
intelligent forewoman.
Public-domain text, read in full here on John Shaqi.
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