Didactic fiction; French fiction -- Translations into English; Paris (France) -- Social life and customs -- 19th century -- Fiction
For forty years now has the Louvre been crying out by every gap in these
damaged walls, by every yawning window, “Rid me of these warts upon my
face!” This cutthroat lane has no doubt been regarded as useful, and has
been thought necessary as symbolizing in the heart of Paris the intimate
connection between poverty and the splendor that is characteristic
of the queen of cities. And indeed these chill ruins, among which
the Legitimist newspaper contracted the disease it is dying of--the
abominable hovels of the Rue du Musee, and the hoarding appropriated by
the shop stalls that flourish there--will perhaps live longer and more
prosperously than three successive dynasties.
In 1823 the low rents in these already condemned houses had tempted
Lisbeth Fischer to settle there, notwithstanding the necessity imposed
upon her by the state of the neighborhood to get home before nightfall.
This necessity, however, was in accordance with the country habits she
retained, of rising and going to bed with the sun, an arrangement which
saves country folk considerable sums in lights and fuel. She lived
in one of the houses which, since the demolition of the famous Hotel
Cambaceres, command a view of the square.
Just as Baron Hulot set his wife’s cousin down at the door of this
house, saying, “Good-night, Cousin,” an elegant-looking woman, young,
small, slender, pretty, beautifully dressed, and redolent of some
delicate perfume, passed between the wall and the carriage to go in.
This lady, without any premeditation, glanced up at the Baron merely
to see the lodger’s cousin, and the libertine at once felt the
swift impression which all Parisians know on meeting a pretty woman,
realizing, as entomologists have it, their _desiderata_; so he waited to
put on one of his gloves with judicious deliberation before getting into
the carriage again, to give himself an excuse for allowing his eye
to follow the young woman, whose skirts were pleasingly set out by
something else than these odious and delusive crinoline bustles.
“That,” said he to himself, “is a nice little person whose happiness I
should like to provide for, as she would certainly secure mine.”
When the unknown fair had gone into the hall at the foot of the stairs
going up to the front rooms, she glanced at the gate out of the corner
of her eye without precisely looking round, and she could see the Baron
riveted to the spot in admiration, consumed by curiosity and desire.
This is to every Parisian woman a sort of flower which she smells at
with delight, if she meets it on her way. Nay, certain women, though
faithful to their duties, pretty, and virtuous, come home much put out
if they have failed to cull such a posy in the course of their walk.
The lady ran upstairs, and in a moment a window on the second floor
was thrown open, and she appeared at it, but accompanied by a man whose
baldhead and somewhat scowling looks announced him as her husband.
Public-domain text, read in full here on John Shaqi.
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