Didactic fiction; French fiction -- Translations into English; Paris (France) -- Social life and customs -- 19th century -- Fiction
Monsieur Jean-Paul-Stanislas Marneffe was one of the class of employes
who escape sheer brutishness by the kind of power that comes of
depravity. The small, lean creature, with thin hair and a starved beard,
an unwholesome pasty face, worn rather than wrinkled, with red-lidded
eyes harnessed with spectacles, shuffling in his gait, and yet meaner in
his appearance, realized the type of man that any one would conceive of
as likely to be placed in the dock for an offence against decency.
The rooms inhabited by this couple had the illusory appearance of sham
luxury seen in many Paris homes, and typical of a certain class of
household. In the drawing-room, the furniture covered with shabby cotton
velvet, the plaster statuettes pretending to be Florentine bronze, the
clumsy cast chandelier merely lacquered, with cheap glass saucers, the
carpet, whose small cost was accounted for in advancing life by the
quality of cotton used in the manufacture, now visible to the naked
eye,--everything, down to the curtains, which plainly showed that
worsted damask has not three years of prime, proclaimed poverty as
loudly as a beggar in rags at a church door.
The dining-room, badly kept by a single servant, had the sickening
aspect of a country inn; everything looked greasy and unclean.
Monsieur’s room, very like a schoolboy’s, furnished with the bed and
fittings remaining from his bachelor days, as shabby and worn as he was,
dusted perhaps once a week--that horrible room where everything was in
a litter, with old socks hanging over the horsehair-seated chairs, the
pattern outlined in dust, was that of a man to whom home is a matter of
indifference, who lives out of doors, gambling in cafes or elsewhere.
Public-domain text, read in full here on John Shaqi.
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