Didactic fiction; French fiction -- Translations into English; Paris (France) -- Social life and customs -- 19th century -- Fiction
Now, the old maid’s pride, silence, and reserve had engendered in the
porter and his wife the exaggerated respect and cold civility which
betray the unconfessed annoyance of an inferior. Also, the porter
thought himself in all essentials the equal of any lodger whose rent was
no more than two hundred and fifty francs. Cousin Betty’s confidences
to Hortense were true; and it is evident that the porter’s wife might be
very likely to slander Mademoiselle Fischer in her intimate gossip with
the Marneffes, while only intending to tell tales.
When Lisbeth had taken her candle from the hands of worthy Madame
Olivier the portress, she looked up to see whether the windows of the
garret over her own rooms were lighted up. At that hour, even in July,
it was so dark within the courtyard that the old maid could not get to
bed without a light.
“Oh, you may be quite easy, Monsieur Steinbock is in his room. He has
not been out even,” said Madame Olivier, with meaning.
Lisbeth made no reply. She was still a peasant, in so far that she was
indifferent to the gossip of persons unconnected with her. Just as a
peasant sees nothing beyond his village, she cared for nobody’s opinion
outside the little circle in which she lived. So she boldly went up, not
to her own room, but to the garret; and this is why. At dessert she had
filled her bag with fruit and sweets for her lover, and she went to give
them to him, exactly as an old lady brings home a biscuit for her dog.
She found the hero of Hortense’s dreams working by the light of a small
lamp, of which the light was intensified by the use of a bottle of water
as a lens--a pale young man, seated at a workman’s bench covered with a
modeler’s tools, wax, chisels, rough-hewn stone, and bronze castings; he
wore a blouse, and had in his hand a little group in red wax, which he
gazed at like a poet absorbed in his labors.
“Here, Wenceslas, see what I have brought you,” said she, laying her
handkerchief on a corner of the table; then she carefully took the
sweetmeats and fruit out of her bag.
“You are very kind, mademoiselle,” replied the exile in melancholy
tones.
“It will do you good, poor boy. You get feverish by working so hard; you
were not born to such a rough life.”
Wenceslas Steinbock looked at her with a bewildered air.
“Eat--come, eat,” said she sharply, “instead of looking at me as you do
at one of your images when you are satisfied with it.”
On being thus smacked with words, the young man seemed less puzzled,
for this, indeed, was the female Mentor whose tender moods were always a
surprise to him, so much more accustomed was he to be scolded.
Public-domain text, read in full here on John Shaqi.
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