Didactic fiction; French fiction -- Translations into English; Paris (France) -- Social life and customs -- 19th century -- Fiction
Like the true Creole of Paris, Madame Marneffe abhorred trouble; she had
the calm indifference of a cat, which never jumps or runs but when
urged by necessity. To her, life must be all pleasure; and the pleasure
without difficulties. She loved flowers, provided they were brought to
her. She could not imagine going to the play but to a good box, at her
own command, and in a carriage to take her there. Valerie inherited
these courtesan tastes from her mother, on whom General Montcornet had
lavished luxury when he was in Paris, and who for twenty years had
seen all the world at her feet; who had been wasteful and prodigal,
squandering her all in the luxurious living of which the programme has
been lost since the fall of Napoleon.
The grandees of the Empire were a match in their follies for the great
nobles of the last century. Under the Restoration the nobility cannot
forget that it has been beaten and robbed, and so, with two or three
exceptions, it has become thrifty, prudent, and stay-at-home, in short,
bourgeois and penurious. Since then, 1830 has crowned the work of 1793.
In France, henceforth, there will be great names, but no great houses,
unless there should be political changes which we can hardly foresee.
Everything takes the stamp of individuality. The wisest invest in
annuities. Family pride is destroyed.
The bitter pressure of poverty which had stung Valerie to the quick on
the day when, to use Marneffe’s expression, she had “caught on” with
Hulot, had brought the young woman to the conclusion that she would make
a fortune by means of her good looks. So, for some days, she had been
feeling the need of having a friend about her to take the place of a
mother--a devoted friend, to whom such things may be told as must be
hidden from a waiting-maid, and who could act, come and go, and think
for her, a beast of burden resigned to an unequal share of life. Now,
she, quite as keenly as Lisbeth, had understood the Baron’s motives for
fostering the intimacy between his cousin and herself.
Prompted by the formidable perspicacity of the Parisian half-breed,
who spends her days stretched on a sofa, turning the lantern of her
detective spirit on the obscurest depths of souls, sentiments, and
intrigues, she had decided on making an ally of the spy. This supremely
rash step was, perhaps premeditated; she had discerned the true nature
of this ardent creature, burning with wasted passion, and meant to
attach her to herself. Thus, their conversation was like the stone
a traveler casts into an abyss to demonstrate its depth. And Madame
Marneffe had been terrified to find this old maid a combination of Iago
and Richard III., so feeble as she seemed, so humble, and so little to
be feared.
Public-domain text, read in full here on John Shaqi.
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