Didactic fiction; French fiction -- Translations into English; Paris (France) -- Social life and customs -- 19th century -- Fiction
For that instant, Lisbeth Fischer had been her real self; that Corsican
and savage temperament, bursting the slender bonds that held it under,
had sprung up to its terrible height, as the branch of a tree flies
up from the hand of a child that has bent it down to gather the green
fruit.
To those who study the social world, it must always be a matter of
astonishment to see the fulness, the perfection, and the rapidity with
which an idea develops in a virgin nature.
Virginity, like every other monstrosity, has its special richness, its
absorbing greatness. Life, whose forces are always economized,
assumes in the virgin creature an incalculable power of resistance and
endurance. The brain is reinforced in the sum-total of its reserved
energy. When really chaste natures need to call on the resources of
body or soul, and are required to act or to think, they have muscles
of steel, or intuitive knowledge in their intelligence--diabolical
strength, or the black magic of the Will.
From this point of view the Virgin Mary, even if we regard her only as
a symbol, is supremely great above every other type, whether Hindoo,
Egyptian, or Greek. Virginity, the mother of great things, _magna parens
rerum_, holds in her fair white hands the keys of the upper worlds. In
short, that grand and terrible exception deserves all the honors decreed
to her by the Catholic Church.
Thus, in one moment, Lisbeth Fischer had become the Mohican whose
snares none can escape, whose dissimulation is inscrutable, whose swift
decisiveness is the outcome of the incredible perfection of every organ
of sense. She was Hatred and Revenge, as implacable as they are
in Italy, Spain, and the East. These two feelings, the obverse of
friendship and love carried to the utmost, are known only in lands
scorched by the sun. But Lisbeth was also a daughter of Lorraine, bent
on deceit.
She accepted this detail of her part against her will; she began by
making a curious attempt, due to her ignorance. She fancied, as children
do, that being imprisoned meant the same thing as solitary confinement.
But this is the superlative degree of imprisonment, and that superlative
is the privilege of the Criminal Bench.
As soon as she left Madame Marneffe, Lisbeth hurried off to Monsieur
Rivet, and found him in his office.
“Well, my dear Monsieur Rivet,” she began, when she had bolted the
door of the room. “You were quite right. Those Poles! They are low
villains--all alike, men who know neither law nor fidelity.”
Public-domain text, read in full here on John Shaqi.
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