England -- Social life and customs -- 19th century -- Fiction
Cousin Holman gave me the weekly county newspaper to read aloud to her,
while she mended stockings out of a high piled-up basket, Phillis
helping her mother. I read and read, unregardful of the words I was
uttering, thinking of all manner of other things; of the bright colour
of Phillis’s hair, as the afternoon sun fell on her bending head; of
the silence of the house, which enabled me to hear the double tick of
the old clock which stood half-way up the stairs; of the variety of
inarticulate noises which cousin Holman made while I read, to show her
sympathy, wonder, or horror at the newspaper intelligence. The tranquil
monotony of that hour made me feel as if I had lived for ever, and
should live for ever droning out paragraphs in that warm sunny room,
with my two quiet hearers, and the curled-up pussy cat sleeping on the
hearth-rug, and the clock on the house-stairs perpetually clicking out
the passage of the moments. By-and-by Betty the servant came to the
door into the kitchen, and made a sign to Phillis, who put her
half-mended stocking down, and went away to the kitchen without a word.
Looking at cousin Holman a minute or two afterwards, I saw that she had
dropped her chin upon her breast, and had fallen fast asleep. I put the
newspaper down, and was nearly following her example, when a waft of
air from some unseen source, slightly opened the door of communication
with the kitchen, that Phillis must have left unfastened; and I saw
part of her figure as she sate by the dresser, peeling apples with
quick dexterity of finger, but with repeated turnings of her head
towards some book lying on the dresser by her. I softly rose, and as
softly went into the kitchen, and looked over her shoulder; before she
was aware of my neighbourhood, I had seen that the book was in a
language unknown to me, and the running title was L’Inferno. Just as I
was making out the relationship of this word to “infernal”, she started
and turned round, and, as if continuing her thought as she spoke, she
sighed out,—
“Oh! it is so difficult! Can you help me?” putting her finger below a
line.
“Me! I! I don’t even know what language it is in!”
“Don’t you see it is Dante?” she replied, almost petulantly; she did so
want help.
“Italian, then?” said I, dubiously; for I was not quite sure.
“Yes. And I do so want to make it out. Father can help me a little, for
he knows Latin; but then he has so little time.”
“You have not much, I should think, if you have often to try and do two
things at once, as you are doing now.
“Oh! that’s nothing! Father bought a heap of old books cheap. And I
knew something about Dante before; and I have always liked Virgil so
much. Paring apples is nothing, if I could only make out this old
Italian. I wish you knew it.”
“I wish I did,” said I, moved by her impetuosity of tone. “If, now,
only Mr Holdsworth were here; he can speak Italian like anything, I
believe.”
“Who is Mr Holdsworth?” said Phillis, looking up.
Public-domain text, read in full here on John Shaqi.
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