He called back to Honey that those instruments ought to have been put in
the hayfield, where there was more exercise than the men could use. “You
boys ought to come and see me safe through with it,” he added to the
loitering group around him. “I'm afraid of women.”
They laughed and two or three went with him. Lew went on to the corral
and presently appeared on horseback, riding up to the kitchen and
leaving his horse standing at the corner while he went inside and talked
to the woman he had called Marian.
Bud was carrying his guitar outside, where it was cooler, when he heard
the fellow's arrogant voice. The dishes ceased rattling for a
minute, and there was a sharp exclamation, stifled but unmistakable.
Involuntarily Bud made a movement in that direction, when Honey's voice
stopped him with a subdued laugh.
“That's only Lew and Mary Ann,” she explained carelessly. “They have a
spat every time they come within gunshot of each other.”
The lean fellow who had driven the mower, and whose name was Jerry
Myers, edged carelessly close to Bud and gave him a nudge with his
elbow, and a glance from under his eyebrows by way of emphasis. He
turned his head slightly, saw that Honey had gone into the house, and
muttered just above a whisper, “Don't see or hear anything. It's all the
help you can give her. And for Lord's sake don't let on to Honey like
you--give a cuss whether it rains or not, so long 's it don't pour too
hard the night of the dance.”
Bud looked up at the darkening sky speculatively, and tried not to hear
the voices in the kitchen, one of which was brutally harsh while the
other told of hate and fear suppressed under gentle forbearance. The
harsh voice was almost continuous, the other infrequent, reluctant to
speak at all. Bud wanted to go in and smash his guitar over the fellow's
head, but Jerry's warning held him. There were other ways, however, to
help; if he must not drive off the tormentor, then he would call him
away. He ignored his bruised knuckles and plucked the guitar strings as
if he held a grudge against them, and then began to sing the first song
that came into his mind--one that started in a rollicky fashion.
Men came straggling up from the bunk-house before he had finished the
first chorus, and squatted on their heels to listen, their cigarettes
glowing like red fingertips in the dusk. But the voice in the kitchen
talked on. Bud tried another--one of those old-time favorites, a
“laughing coon” song, though he felt little enough in the mood for it.
In the middle of the first laugh he heard the kitchen door slam, and
Lew's footsteps coming around the corner. He listened until the song
was done, then mounted and rode away, Bud's laugh following him
triumphantly--though Lew could not have guessed its meaning.
Public-domain text, read in full here on John Shaqi.
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