Montézuma would have been wicked to put all these ideas in my head if he
had known the harm they did me. But he had no idea of it, poor fellow!
He must, however, have been rather ashamed of these inventions of his,
because he never said a word about them before my father or mother. And
I, without his bidding me keep silence, said not one word either, about
the matter, except to him. It was a secret between us. One discovers
when one is very young, I am afraid, the charm of forbidden pleasure, or
at least, of mysteries, and it was certainly a great pleasure to me to
have this secret of the white horse’s powers between Montézuma and
myself.
Still it was a great misfortune for me that I did not tell all to my
father and mother; they would have put a stop to these foolish fancies
and mad terrors, which little by little destroyed my spirit, and turned
me into the unfortunate coward I became.
People who have children entrusted to them, or who are constantly with
them, should make a rule that they shall never be frightened by stories
of giants and ogres, or supernatural beings, or in the foolish yet
terrible way in which Montézuma used to terrify me.
One cannot tell the effect these fears may have upon children: can never
guess the mischief that may be done. When once my father had retired
from the army I was no longer under the influence of Montézuma. I no
longer believed in Croquemitaine, and had even lost faith in the
colonel’s horse; but though the actual belief was gone, the pernicious
influence remained, and I was always building up fresh terrors on the
ashes of the old ones.
------------------
X.
MONTÉZUMA’S ACCOMPLISHMENTS.
MONTÉZUMA had the most wonderfully flexible face I ever saw. He could
literally do anything he liked with it. For instance, he would lengthen
his features, raise his eyebrows, and half shut his eyes, and there you
had before you the living image of Lieutenant Hardel, the thinnest and
most miserable looking officer of the regiment. Then, in an instant, he
would puff out his cheeks, half bury his head between his shoulders, and
opening his big eyes, roll them about in a terrible manner, and at that
moment you beheld an exact copy of Major Taillepain. When he began these
representations, which were performed for me, and me only, I could
scarcely contain myself for joy. At each change of countenance, I would
clap my hands and cry out, “Again, again, Montézuma! Again, please,
again!”
[Illustration:Decoration]
Public-domain text, read in full here on John Shaqi.
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