Cradock Nowell: A Tale of the New Forest. Vol. 1 (of 3)Blackmore, R. D. (Richard Doddridge)
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Cradock Nowell: A Tale of the New Forest. Vol. 1 (of 3)
Blackmore, R. D. (Richard Doddridge)
New Forest (England : Forest) -- Fiction
A few days after the funeral he was walking sadly up and down in his
lonely library, caring no whit for his once–loved books, for the news
of the day, or his business, and listless to look at anything, even
the autumn sunset; when the door was opened quietly, and shyly through
the shadows stole his schoolfellow of yore, his truest friend, John
Rosedew. With this gentleman I take a very serious liberty; but he
never yet was known to resent a liberty taken honestly. That, however,
does not justify me. “John Rosedew” I intend to call him, because
he likes it best; and so he would though ten times a Bachelor of
Divinity, a late Vice–Principal of his college, and the present Rector
of Nowelhurst. Formerly I did my best, loving well the character, to
describe that simple–minded, tender–hearted yeoman, John Huxtable, of
Tossilʼs Barton, in the county of Devon. Like his, as like any two of
Natureʼs ever–varied works, were the native grain and staple of the
Rev. John Rosedew. Beside those little inborn and indying variations
which Nature still insists on, that she may know her sons apart, those
two genial Britons differed both in mental and bodily endowments, and
through education. In spite of that, they were, and are, as like to
one another as any two men can be who have no smallness in them. Small
men run pretty much of a muchness; as the calibre increases, so the
divergence multiplies.
Farmer Huxtable was no fool; but having once learned to sign his name,
he had attained his maximum of literary development; John Rosedew, on
the other hand, although a strong and well–built man, who had pulled a
good oar in his day, was not, in bulk and stature, a match for Hercules
or Milo. Unpretending, gentle, a lover of the truth, easily content
with others, but never with himself, even now, at the age of forty, he
had not overcome the bashfulness and diffidence of a fine and sensitive
nature. And, first–rate scholar as he was, he would have lost his class
at Oxford solely through that shyness, unless a kind examiner, who saw
his blushing agony, had turned from some commonplace of Sophocles to a
glorious passage of Pindar. Then, carried away by the noble poet, John
Rosedew forgot the schools, the audience, even the row of examiners,
and gave grand thoughts their grand expression, breathing free as the
winds of heaven. Nor till his voice began to falter from the high
emotion, and his heart beat fast, though not from shame, and the tears
of genius touched by genius were difficult to check, not till then knew
he, or guessed, that every eye was fixed upon him, that every heart
was thrilling, that even the stiff examiners bent forward like eager
children, and the young men in the gallery could scarcely keep from
cheering. Then suddenly, in the full sweep of magnificence, he stopped,
like an eagle shot.
Public-domain text, read in full here on John Shaqi.
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