Cradock Nowell: A Tale of the New Forest. Vol. 1 (of 3)Blackmore, R. D. (Richard Doddridge)
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Cradock Nowell: A Tale of the New Forest. Vol. 1 (of 3)
Blackmore, R. D. (Richard Doddridge)
New Forest (England : Forest) -- Fiction
So they passed the matriculation test with consummate ease, and
delighted the college tutor by their clear bold writing. They had
not read so much as some men have before entering the University,
but all their knowledge was close and firm, and staunch enough for a
spring–board. And they wrote most excellent Latin prose, and Greek
verse easily flowing. However, Sir Cradock was very nervous on the eve
of their departure for the first term of Oxford residence, and led John
Rosedew, in whose classical powers he placed the highest confidence,
into his private room, and there begged him, as a real friend, tested
now for forty years, to tell him bluntly whether the boys were likely
to do him credit.
“Donʼt spare me, John, and donʼt spare them: only let us have no
disappointment about it”.
“My dear fellow, my dear fellow”! cried John, tugging at his collar,
as he always did when nonplussed, for fear of losing himself; “how on
earth can I tell? Most likely the men know a great deal more in the
University now than they did when I had lectures. Havenʼt I begged you
fifty times to have down a young first–classman”?
“Yes, I know you have, John. But I am not quite such a fool, nor so
shamelessly ungrateful. To upset the pile of your ten years’ labour,
and rebuild it upon its apex! And talk to me of young first–classmen!
Why, you know as well as I do, John, that there is not one of them,
however brilliant, with a tenth part of your knowledge. It could never
be, any more than a young tree can carry the fruit of an old one. Why,
when you took your own first–class, they could only find one man to put
with you, and you have never ceased to read, read, read, ever since you
left old Oriel, and chiefly in taste and philology. And such a memory
as you have! John, I am ashamed of you. You want to impose upon me”.
And Sir Cradock fixed the parsonʼs eyes with that keen and point–blank
gaze, which was especially odious to the shy John Rosedew.
“I am sure I donʼt. You cannot mean that”, he replied, rather warmly,
for, like all imaginative men, when of a diffident cast, he was
desperately matter–of–fact the moment his honour was played with.
His friend began to smile at him, drawing up his grey moustache, and
saying, “Yes, John, you are a donkey”.
“I know that I am”, said John Rosedew, shutting his eyes, as he loved
to do when he got on a favourite topic; “by the side of those mighty
critics of the sixteenth and seventeenth centuries—the Scaligers,
the Casaubons, the Vossii, the Stephani,—what am I but a starving
donkey, without a thistle left for him? But as regards our English
critics—at least too many of them—I submit that we have been misled by
the superiority of their Latin, and their more slashing style. I doubt
whether any of them had a tenth part of the learning, or the sequacity
of genius——”
“Come, John, I canʼt stand this, you know; and the boys will be down
here directly, they are so fond of brown sherry”.
Public-domain text, read in full here on John Shaqi.
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