Cradock Nowell: A Tale of the New Forest. Vol. 3 (of 3)Blackmore, R. D. (Richard Doddridge)
General
Cradock Nowell: A Tale of the New Forest. Vol. 3 (of 3)
Blackmore, R. D. (Richard Doddridge)
New Forest (England : Forest) -- Fiction
Then, fearing lest he had been too grand about a little matter—not his
daughterʼs marriage, but the aspersion upon himself—he closed the door
very carefully, so as not to make any noise, and walked away towards
his home, forgetting Coræbus utterly. And, before his fine solid face
began to recover its healthy and bashful pink, he was visited by sore
misgivings as to his own behaviour; to wit, what claim had any man,
however elate with the pride of right and the scorn of wrong, to talk
about any fellow–man becoming humble to him? Nevertheless, he could not
manage to retract the wrong expression in his letter of resignation;
not from any false pride—oh no!—but for fear of being misunderstood.
But that very night he craved pardon of Him before whom alone we need
humbly bow; who alone can grant us anything.
CHAPTER IV.
What is lovelier, just when Autumn throws her lace around us, and begs
us not to begin to think of any spiteful winter, because she has not
yet unfolded half the wealth of her bosom, and will not look over her
shoulder—when we take that rich one gaily for her gifts of beauty; what
among her clustered hair, freshened with the hoar–frost in imitation of
the Spring (all fashions do recur so), tell us what can be more pretty,
pearly, light, and elegant, more memoried of maidenhood, than a jolly
spiderʼs web?
See how the diamonds quiver and sparkle in the September morning; what
jeweller could have set them so? All of graduated light and metrical
proportion, every third pre–eminent, strung on soft aerial tension,
as of woven hoar–frost, and every carrying thread encrusted with the
breath of fairies, then crossed and latticed at just angles, with
narrowing interstices, to a radiated octagon—the more we look, the
more we wonder at the perfect tracery. Then, if we gently breathe
upon it, or a leaf of the bramble shivers, how from the open centre
a whiff of waving motion flows down every vibrant radius, every weft
accepts the waft slowly and lulling vibration, every stay–rope jerks
and quivers, and all the fleeting subtilty expands, contracts, and
undulates.
Yet if an elegant spider glide out, exquisite, many–dappled, pellucid
like a Scotch pebble or a calceolaria, with a dozen dimples upon his
back, and eight fierce eyes all up for business, the moment he slips
from the blackberry–leaf all sense of beauty is lost to the gazer,
because he thinks of rapacity.
And so, I fear, John Rosedewʼs hat described in the air a flourish of
more courtesy than cordiality, when he saw Mrs. Corklemore gliding
forth from the bend of the road in front of him. Although she had left
the house after him, by the help of a short cut through the gardens,
where the rector would no longer take the liberty of trespassing, she
contrived to meet him as if herself returning from the village.
“Oh, Mr. Rosedew, I am so glad to see you,” cried Georgie, as he tried
to escape with his bow: “what a fortunate accident!”
Public-domain text, read in full here on John Shaqi.
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