Craft-guilds of the thirteenth century in ParisMillett, Fred B. (Fred Benjamin)
Philosophy
Craft-guilds of the thirteenth century in Paris
Millett, Fred B. (Fred Benjamin)
Guilds -- France -- Paris -- History -- To 1500
The visits of the _gardes_ were at unexpected times, and almost all the
gilds require their inspection of saleable articles “poer sauvoir se il i
a nulles mesprantures.” The _gardes_ of the weavers carried an iron rule
on which was marked the length of various kinds of cloth, as it was fixed
by law. Goods which did not comply with the statutes were confiscated,
burned or given to the poor, while the culprit paid a fine. To make
sure that no bad product elude the vigilance of the guards, further
regulations as to the place of manufacture appear. A wool-weaver could
not have two shops on either side of the street, though we have seen how
liberal he might be as to the number of looms. An armorer was not to get
anything necessary for his trade made outside the shop, therefore he was
forbidden to carry armor through the streets unless he were poor and
lived in an out-of-the-way quarter where sales would be difficult. The
tailor must not cut his cloth except at a window of the first floor of
his shop.
Fines ranging from three to ten _sous_ were the natural consequence of
faulty production. The corrupt gold-beater paid 3 _sous_, the jewellers,
who dared use colored glass, 10 _sous_, the dealers in silk-stuffs
paid 8 _sous_, of which 5 went to the King, 2 to the Master, and 1
to the _Confrérie_. In 1312, dealers in spices who purveyed _fausse
merchandise_ were condemned to lose their commodities, and to pay,
besides, 60 _sous_: “40 to us (i.e. the King, or to the lord of the place
where justice is done), and 20 _sous_ to the master of the gild at or
near the place where the offence is committed”—to pay the expenses of the
gild. As a further guard against adulterated products, most of the gilds
had a mark or a seal which carried a guarantee of quality commensurate
with the reputation of the gild.
Public-domain text, read in full here on John Shaqi.
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